Newsletter (Texas Books, Workshop Posts, Q & As, Zooms & Cyberflanerie)

This blog posts on Mondays. Fifth Mondays, when they happen to arrive, are for the newsletter. Herewith the latest posts covering Texas Books, workshop posts, Q & As, selected other posts and news, plus cyberflanerie.

TEXAS BOOKS
(Look for posts about Texas Books on the first Monday of the month throughout 2021).
The Texas Bibliothek’s Digital Doppelgänger: My Online Working Library of Rare Books
March 1, 2021
From the Texas Bibliothek: The Sanderson Flood of 1965; Faded Rimrock Memories; Terrell County, Texas: Its Past, Its People
February 1, 2021
A Trio of Texas Biographies in the Texas Bibliothek
January 4, 2021
> View all Texas posts here.

WORKSHOP POSTS
(Look for these every second Monday of the month throughout 2021)
Recommended Literary Travel Memoirs
March 8, 2021
Recommended Books on the Creative Process
February 8, 2021
Recommended Books on the Craft of Creative Writing
January 11, 2021
Shake It Up with Emulation-Permutation Exercises
December 14, 2020
> View all workshop posts here.

Q & A with Tim Heyman about B. Traven in Literal Magazine

MORE Q & As ON THIS BLOG
(Look for these every fourth Monday of the month through 2021)
Q & A with Jan Cleere
on Military Wives in Arizona Territory: A History of Women Who Shaped the Frontier
March 22, 2021
Q & A with Solveig Eggerz
on Sigga of Reykjavik
February 22, 2021
Q & A with Christina Thompson
on Sea People: The Puzzle of Polynesia
January 25, 2021
Q & A with Álvaro Santana-Acuña
on Writing Ascent to Glory: How One Hundred Years of Solitude
Was Written and Became a Global Classic
December 28, 2020
> View all Q & As here.

SELECTED OTHER POSTS AT MADAM MAYO BLOG
Melanie Kobayashi’s Champagne Kegger —
Plus From the Archives: Ruth Levy Guyer’s A Life Interrupted: The Long Night of Marjorie Day
January 18, 2021
Top Books Read 2020
December 7, 2020
> View the Madam Mayo blog archive here.

OTHER NEWS
Ignacio Solares’ “The Orders” in Gargoyle Magazine #72

Ignacio Solares


Ignacio Solares, one of Mexico’s most outstanding literary writers, appears in English translation by Yours Truly in the fabulous new issue #72 of Gargoyle. Edited by poet Richard Peabody, Gargoyle is one of the Mid-Atlantic region’s most enduring and prestigious literary magazines. Check it out! Solares’ short story is entitled “The Orders” (“Las instrucciones”). My thanks to Ignacio Solares for the honor, to Richard Peabody for accepting it and bringing it forth, and to Nita Congress for her eagle-eyed copyediting. (My previous translation of Solares’ work, the short story “Victoriano’s Deliriums,” appeared in The Lampeter Review #11.)

The cover of Gargoyle #72, which includes my translation of a short story by Ignacio Solares, features spoken word poet Salena Godden.


Earlier this month I gave a Zoom talk on my book Metaphysical Odyssey into the Mexican Revolution: Francisco I. Madero and His Secret Book, Spiritist Manual (as translated by Agustín Cadena, Odisea metafísica hacia la Revolución Mexicana, Francisco I. Madero y su libro secreto, Manual espírita) for the Centro de Estudios de Historia de México. If and when this talk becomes available as a recording I will be sure to post a notice in my newsletter. If the subject interests you, some of my other talks and interviews are here.

By the way, if you don’t subscribe to Madam Mayo blog but would like to receive my very occasionally emailed newsletter (via Mad Mimi, my email letter service) just send me an email at cmmayo (at) cmmayo.com and I’ll add you to my mailing list.


MARFA MONDAYS PODCASTING PROJECT
Ongoing! I’ve let the Marfa Mondays podcast sit for a while as I am working on the (related) book, World Waiting for a Dream: A Turn in Far West Texas. That said, I’m almost…almost… done with podcast #22, which is an unusually wide-ranging interview recorded in Sanderson, a remote town that also happens to be the cactus capital of Texas. Podcasts 1 – 21 are all available to listen for free online here.

COOL STUFF ON MY RADAR ( = CYBERFLANERIE = )
The brilliantly brilliant Edward Tufte is offering his course on video. I took his in-person workshop twice, that’s how big a fan I am. I wish everyone else would take it, too, for then our world could be a little less fruit-loopy.

My amigo the esteemed playwright and literary translator Geoff Hargreaves has a most promising new novel out from Floricanto Press, The Collector and the Blind Girl

Heidegger scholar and Typewriter Revolutionary Richard Polt offers his thoughts on typing a novel.

Poet Patricia Dubrava shares a beauty on her blog, Holding the Light: “Hearing the Canadas”

Cal Newport on “Beethoven and the Gifts of Silence.” Newport has a new podcast by the way, which is ultra-fabulous. Newport’s new book, A World Without Email, is a zinger of clarity. More about that anon.

Allison Rietta

Allison Rietta, artist, designer, yoga teacher, sound healer, and founder of “Avreya” offers a new series of digital books on contemplative practice that each, I am honored to say, include a writing exercise by Yours Truly. (These writing exercises are from my “Giant Golden Buddha & 364 More Free 5 Minute Writing Exercises” which you can access here.) Rietta’s digital books are so refreshingly lovely, and filled with wise and practical ideas for anyone seeking to improve the quality of their health and creative life. Here’s her introduction:

A series of five Contemplative Practice books based on the elements of nature: air, earth, fire, space and water. Each book is designed specifically to enhance that particular element and offers holistic, contemplative practices that include yoga asanas, pranayama, meditation, creative writing and visual art. 

What’s in each book:
Warm up and yoga asana-s (postures)
Pranayama – a breath technique
Meditation practice
Creative writing prompt
Art journaling prompt
Practice pairings – Just as pairing food dishes with wine enhances the dining experience, this book offers pairings designed to complement each element such as, music, crystals, essential oils and mantras. 

The books are designed to help yoga practitioners cultivate a personal home practice. The practices offered in these books may be done sequentially or separately.

Visit Allison Rietta here and find her new books here.

My new book is Meteor

My amigo poet, playwright, literary translator and writing reacher Zack Rogow was interviewed by Jeffrey Mishove for New Thinking Allowed on “Surrealism and Spontaneity”: A most informative and charming video.

Anne Elise Urrutia’s Pechakucha on her grandfather Dr. Aureliano Urrutia’s “Miraflores”—something very special in San Antonio, Texas history.





“Traven’s Triumph” by Timothy Heyman (Guest Blog)

Duende and the Importance of Questioning ELB

Notes on Artist Xavier González (1898-1993), “Moonlight Over the Chisos,”
and a Visit to Mexico City’s Antigua Academia de San Carlos

Q & A with Jan Cleere on “Military Wives in Arizona Territory: A History of Women Who Shaped the Frontier”

“I was actually working on another project when I stumbled across a handful of journals written by women who had come west with their military husbands in the mid to late 1800s. I became fascinated with what these women endured crossing the desert and settling in Army forts ill-prepared to accommodate women. I also wanted to present their stories as they wrote them which means in today’s climate their words are not always politically or socially acceptable, but I felt they needed to tell their stories”—Jan Cleere

This blog posts on Mondays. Fourth Mondays of the month I devote to a Q & A with a fellow writer.

Jan Cleere’s Military Wives in Arizona Territory tickled my curiosity for two reasons. First, as those of you who follow this blog well know, I am at work on a book about Far West Texas, and its post-Civil War US military conquest is closely connected to that of Arizona. Early on in my researches I came across the writings of Lt. John Bigelow, Jr. on both Texas and Arizona, and—also essential for anyone looking at Far West Texas history— The Colonel’s Lady on the Western Frontier: The Correspondence of Alice Kirk Grierson, edited and introduced by Shirley Anne Leckie. Historians, among them, Cleere— already the celebrated author of several works on women’s history in the West— are doing important work to bring forth these long-neglected women’s letters, diaries and more. I salute Cleere and sincerely hope that her work inspires others. (And by the way, if you have inherited such papers— whether pertaining to the West or any other time and place—please consider finding a home for them in an historical society or library.)

Secondly, I’m always interested—and I assume many of my writerly readers are as well—in how historians, biographers, nonfiction writers of various stripes and writers of historical fiction work with and manage books, articles and digital materials. My own experience I would describe as an ongoing slog up the learning curve, so I’m always game to ask about that and learn what I can from other writers.

From the copy catalog for Military Wives in Arizona Territory:

When the US Army ordered troops into Arizona Territory in the nineteenth century to protect and defend newly established settlements, military men often brought their wives and families, particularly officers who might be stationed in the west for years. Most of the women were from refined, eastern-bred families with little knowledge of the territory. Their letters, diaries, and journals from their years on army posts reveal untold hardships and challenges. They learned to cope with the sparseness, the heat, sickness, and danger, including wildlife they never imagined. These women were bold, brave, and compassionate. They became an integral part of military posts that peppered the West and played an important role in civilizing the untamed frontier. Combining their words with original research and tracing their movements from post to post, this collection of historical narratives explores the tragedies and triumphs that early military wives experienced.

Jan Cleere, author of Military Wives in Arizona Territory, and many other histories of women in the West

C.M. MAYO: What inspired you to write Military Wives in Arizona Territory?

JAN CLEERE: I was actually working on another project when I stumbled across a handful of journals written by women who had come west with their military husbands in the mid to late 1800s. I became fascinated with what these women endured crossing the desert and settling in Army forts ill-prepared to accommodate women. I also wanted to present their stories as they wrote them which means in today’s climate their words are not always politically or socially acceptable, but I felt they needed to tell their stories with little interference from me. 

C.M. MAYO: As you were writing, did you have in mind an ideal reader?

JAN CLEERE: Not specifically an ideal reader but one who enjoyed reading women’s history and who had an interest in how women coped during the early days of western development and expansion. 

C.M. MAYO: Of the military wives, is there one who especially impressed you, surprised you, and/or frustrated you in some ways?

JAN CLEERE: A couple women stood out for different reasons. 

One woman was so determined to accompany her husband into the territory that she defied her husband, sold all their belongings to pay passage for her and her infant son and joined him on the long march across the desert from California to Arizona’s Fort McDowell. 

Another woman, fearing for her children’s lives during an Indian uprising at Fort Apache, lined her children up against the fireplaces in her home, hoping the resilient breastwork would protect them from flying bullets. 

I was impressed with how these women reacted quickly to whatever the situation demanded.

C.M. MAYO: Which writers have been the most important influences for you?

JAN CLEERE: Because my books concentrate mainly on early Arizona, Tom Sheridan and C.L. Sonnichsen’s books are a mainstay in my library. I also find myself picking up old Arizona history books such as Thomas Farish’s 1915 History of Arizona and James McClintock’s 1916 3 volume set Arizona. 

C.M. MAYO: Which writers are you reading now? 

JAN CLEERE: Since my books require my delving into so much history, I like to read fiction for pleasure although the books that have stood out for me are historical. Jim Fergus’ 1000 White Women and The Wild Girl stand out as exceptional novels. But right now I am reading Pat Conroy’s memoir The Water is Wide.

C.M. MAYO: Researching a book like this requires extraordinary organizational skills. Can you talk a little bit about your working library and how you keep track of the books you read / consulted for Military Wives? 

JAN CLEERE: I am certainly not an organized researcher or writer. I dedicate an area on my bookshelf for the books I use for a particular project and am scrupulous about documenting my sources but I have no strict method of organizing my materials. I am trying out the References feature in Word now to see if that will help me in future projects to maintain a record my sources.

C.M. MAYO: How do you keep track of articles, both on-line and on paper?

JAN CLEERE: I started this book before the pandemic and completed it during the crisis. Online research became more important than ever. I gave each women considered for the book an online as well as physical file. Research notes on each woman were cataloged under her name. General information about the military forts and how women were treated and perceived at the time was kept in separate files.

I utilize both digital and paper records for my research and am sometimes redundant with what I collect. One tool that I find very useful is a timeline detailing the life of each person I am researching as well as a timeline of historic events that occurred during her lifetime.

C.M. MAYO: Any other tips to share / hard-earned lessons in organizing one’s research?

JAN CLEERE: I am always looking for a better way to organize my research and am open to any suggestions. I have tried several types of software but have not yet found one that answers all of my needs. One thing I will emphasize is to back up your work constantly. In the past, I have lost valuable material and learned my lesson. I have both a physical backup on my computer as well as using the iCloud for storage. Redundancy can be a saving tool.

C.M. MAYO: How has the Digital Revolution affected your writing? Specifically, has it become more challenging to stay focused with the siren calls of email, texting, blogs, online newspapers and magazines, social media, and such? If so, do you have some tips and tricks you might be able to share? 

JAN CLEERE: While digital sources have made a writer’s job more efficient when it comes to finding pertinent sources, it has also taken away that spontaneous delight of uncovering a long lost letter or hidden journal that has not yet been digitized. 

I try to focus on the business of writing separate from the hours I spend actually writing. Not always possible but I have found by trying to compartmentalize the creative from the business end of writing, I am more productive. The trick is to balance these activities so that by the end of the day, you feel you have put out all the fires as well as progressed with your writing.

C.M. MAYO: For those looking to publish, what would be your most hard-earned piece of advice?

JAN CLEERE: Do your research before querying publishers and agents. You will save so much time if you know whether the publisher or agent you are querying accepts the type of book you are writing. There are several good websites that list publishers and/or agents and describe what they are looking for.

C.M. MAYO: What’s next for you as a writer?

JAN CLEERE: I am researching the lives of women who ran boardinghouses in the early west and have run across some remarkable stories of why and how these women started taking in boarders, how the business changed their lives and those of their children. The majority of the book will be about respectable landladies but I have also run across a handful of women who operated bordellos and might include some of them.

And I continue to write my monthly column, “Western Women,” for Tucson’s Arizona Daily Star newspaper. 

Excerpt from Military Wives in Arizona Territory by Jan Cleere:

Ellen Biddle and Martha Summerhayes had already lived on a variety of military posts before meeting each other in Ehrenberg, Arizona, where Ellen experienced an incident that would stay with her long after she and Martha parted.

On her way to Fort Whipple in 1876, Ellen traveled up the Colorado River from Fort Yuma toward Ehrenberg with her husband and young daughter aboard a small steamer called “The Cocopah.”

“We reached Ehrenberg just before sundown four days after leaving Fort Yuma,” she wrote in her journal. “It was only a depot for supplies that were shipped to the forts in all parts of the Territory; and here, entirely isolated from the world, lived Lieutenant and Mrs. Jack [Martha] Summerhays [sic]. . . . They were very glad to see us and gave us the warmest welcome, though we had never before met.

“We had a very good dinner, notwithstanding it was so far out of the world, for most army women learned to cook and make the best of everything that came within reach. I was somewhat surprised when a very tall, thin Indian came in the dining-room to serve the dinner, which he did quite well.

“There was much to talk about before I thought of putting my little one to bed, and I asked Mrs. Summerhays if I might have a tub of warm water to give Nelly a bath.

“In a little while she told me it was ready in my room (which I soon learned was her own she had given up to me). We said good-night, and going to the room I undressed the child and gave her a refreshing bath, the first that she had had since leaving San Francisco. She soon fell asleep and after I had straightened the room a bit, I decided I would get in the tub. I had just sat down in the water when my room door was silently opened and in walked the tall Indian carrying a tray filled with silver before him. I scarcely breathed so great was my fright. He walked over to the table, put the tray down, and as silently walked out, looking neither to the right or the left. It is useless for me to attempt to describe what I felt, it would convey nothing.”

Martha was not as distressed with half-naked Natives as was Ellen. She described her servant Charley who interrupted Ellen’s bath as appealing “to my aesthetic sense in every way. Tall and well made, with clean-cut limbs and features, fine smooth copper-colored skin, handsome face and features, heavy black hair done up in pompadour fashion . . . wide turquoise bead bracelets upon his upper arm, and a knife at his waist—this was my Charley.”

> Check out Jan Cleere’s webpage and read more about her works, including Military Wives in Arizona Territory.

Q & A with Sergio Troncoso, Author of 
A Peculiar Kind of Immigrant’s Son

The Marfa Mondays Podcast is Back! No. 21: 
“Great Power in One: Miss Charles Emily Wilson”

On Seeing as an Artist or, Five Techniques for a Journey to Einfühlung

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My new book is Meteor

Ignacio Solares’ “The Orders” in Gargoyle Magazine #72

Ignacio Solares

Ignacio Solares, one of Mexico’s most outstanding literary writers, appears in English translation by Yours Truly in the fabulous new issue #72 of Gargoyle. Edited by poet Richard Peabody, Gargoyle is one of the Mid-Atlantic region’s most enduring and prestigious literary magazines. Check it out!

The cover of Gargoyle #72, which includes my translation of a short story by Ignacio Solares, features spoken word poet Salena Godden.

Solares’ short story is entitled “The Orders” (“Las instrucciones”). My thanks to Ignacio Solares for the honor, to Richard Peabody for accepting it and bringing it forth, and to Nita Congress for her eagle-eyed copyediting.

My previous translation of Solares’ work, the short story “Victoriano’s Deliriums,” appeared in The Lampeter Review #11.

More anon.

Reading Mexico: 
Recommendations for a Book Club of Extra-Curious 
& Adventurous English-Language Readers

What the Muse Sent Me about the Tenth Muse, 
Sor Juana Inés de la Cruz

Spotlight on Mexican Fiction: “The Apaches of Kiev” 
by Agustín Cadena in Tupelo Quarterly and Much More

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My new book is Meteor

Recommended Literary Travel Memoirs

This blog posts on Mondays. Second Mondays of the month I devote to my writing workshop students and anyone else interested in creative writing. Welcome!

> For the archive of workshop posts click here.

This is a list, not of any so-called cannon of the genre, but of the books that have been my teachers as I learned to write literary travel memoir. It also includes those I have read relatively recently and greatly admire. The ones that are starred are those that I have read and reread time and again; each, in its own way, has been vitally helpful to me, whether for shorter pieces such as A Visit to Swan House; longer ones such as From Mexico to Miramar or, Across the Lake of Oblivion, or my books, among them, Miraculous Air: Journey of a Thousand Miles through Baja California the Other Mexico. I aim to read many more literary travel memoirs, learn much more about the craft, and write more essays and books (indeed my book in-progress is a travel memoir of Far West Texas), hence I consider this an embryonic list.

If you, dear writerly reader, are writing literary travel memoir or anything in the realm of “creative nonfiction,” I would encourage you to read the books on this list; may you enjoy and learn from them as I did. 

At the same time, I would encourage you, if you have not already, to make your own list of works that you have already read and— never mind what anyone else thinks— that you admired and loved. Then ask yourself: What do these works you so love and admire have in common? How do they handle descriptions of nature, or animals, of crowd scenes? Transitions? Dialogue? Sandwiching in the exposition? Narrative structure? Throw whatever writerly questions you can think of at these, your True Faves, and I’ll betcha bucks to buttons, they will teach you something valuable.

A final note: “Literary travel writing” can be defined in myriad ways. How far does one have to travel to consider it travel writing? The Pushkar camel fair would be fab, but I say, your own backyard will do. The idea is to see with new eyes and an open heart, then tell a good story.

Armitage, Shelley. Walking the Llano: A Texas Memoir of Place

Bain, David Haward. Sitting in Darkness: Americans in the Philippines

Berger, Bruce. Almost an Island 

—. The End of the Sherry

—. The Telling Distance: Conversations with the American Desert.

—. A Desert Harvest
This splendid anthology collects selected essays from Bruce Berger’s masterwork of a desert trilogy, The Telling Distance, Almost an Island, and There Was a River. P.S. Read my Q & A with Bruce Berger apropos of the publication of this collection here.

Bogard, Paul. The End of Night: Searching for Natural Darkness in an Age of Artificial Light.

*Brown, Nancy Marie. The Far-Traveler: Voyages of a Viking Woman

Buford, Bill. Among the Thugs

*Byron, Robert. The Road to Oxiana

Calderón de la Barca, Frances. Life in Mexico

*Chatwin, Bruce. In Patagonia

Childs, Craig. Atlas of a Lost World: Travels in Ice Age America

—. The Secret Knowledge of Water: Discovering the Essence of the American Desert

*Conover, Ted. Coyotes

—. Whiteout: Lost in Aspen

—. New Jack: Guarding Sing Sing (not precisely travel writing, but who’s to say? A masterpiece)

Ehrlich, Gretel. This Cold Heaven: Seven Seasons in Greenland

Ellis, Hattie. Sweetness and Light: The Mysterious History of the Honeybee

*Fergus, Charles. Summer at Little Lava: A Season at the Edge of the World

*Fisher, M.F.K. Long Ago in France: The Years in Dijon

Ford, Corey. Where the Sea Breaks Its Back

*Frazier, Ian. Great Plains

*Fussell, Paul. Abroad: British Literary Traveling Between the Wars
Not a travel memoir, rather its about travel memoir, nonetheless…

Gibson, Gregory. Demon of the Waters: The True Story of the Mutiny on the Whaleship Globe
(Yes, I’m calling this a literary travel memoir. Here’s why.)

Godwin, Peter. When a Crocodile Eats the Sun

*Iyer, Pico. Video Night in Kathmandu

Karlin, Wayne. Wandering Souls: Journeys with the Dead and Living in Viet Nam

Kapuscinski, Ryszard. Travels with Herodotus

Klindienst, Patricia. The Earth Knows My Name

Larkin, Emma. Finding George Orwell in Burma

Martínez, Rubén. Desert America

*Mowat, Farley. Walking on the Land

*Morris, Jan. Trieste and the Meaning of Nowhere

Morris, Mary. The River Queen

*Naipaul, V.S. Among the Believers: An Islamic Journey

*—. A Turn in the South

Nickerson, Sheila. Disappearance: A Map

Peasley, W.J., The Last of the Nomads

*Poncins, Gontran de. Kabloona

Quinones Sam. True Tales from Another Mexico

*Seth, Vikram. From Heaven Lake, Travels through Sinkiang and Tibet

Steinbeck, John. The Log from the Sea of Cortez

Swain, Jon. River of Time: A Memoir of Vietnam and Cambodia

Synge, J.M. The Aran Islands

Taber, Sara Mansfield. Born Under An Assumed Name: The Memoir of a Cold War Spy’s Daughter

—. Bread of Three Rivers: The Story of a French Loaf

—. Dusk on the Campo: A Journey in Patagonia

Toth, Jennifer. The Mole People: Life in the Tunnels Beneath New York City

Tree, Isabella. Sliced Iguana

Turner, Frederick. In the Land of the Temple Caves
Read my post about this book here.

Tweit, Susan J. Barren, Wild, and Worthless: Living in the Chihuahuan Desert

Wheeler, Sara. Terra Incognita: Travels in Antarctica

*White, Kenneth. Across the Territories: Travels from Orkney to Rangiroa

Whynot, Douglas. Following the Bloom: Across America with the Migratory Beekeepers

Wright, Lawrence. God Save Texas: A Journey into the Soul of the Lone Star State

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See also:
From the Writer’s Carousel: “Literary Travel Writing”

Related:
Recommended Books on Craft;
Recommended Books on Creative Process

Q & A: Ellen Cassedy, Translator of On the Landing by Yenta Mash 

Why I Am a Mega-Fan of the Filofax 

Texas Pecan Pie for Dieters, Plus from the Archives:
A Review of James McWilliams’ 
The Pecan

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My new book is Meteor

The Texas Bibliothek’s Digital Doppelgänger: My Online Working Library of Rare Books

This blog posts on Mondays. This year, 2021, I am dedicating the first Monday of the month to Texas Books, in which I share with you some of the more unusual and interesting books in the Texas Bibliothek, that is, my working library. Listen in any time to the related podcast series.

Texas history aficionados, welcome and bienvenido! I invite you to check out these three fascinating—and free—digitalized rare books:

Gregg, Josiah. Commerce of the Prairies: Or the Journal of a Santa Fe Trader During Eight Expeditions Across the Great Western Prairies and a Residence of Nearly Nine Years in Northern Mexico. Two Vols, J.W. Moore, 1851. Fifth Edition.
A best-seller of its day. The editor was none other than John Bigelow, who later became the US ambassador to France during the US Civil War—the time of Mexico’s French Intervention / Second Empire. Gregg’s memoir is vital reading for anyone interested in the history of the West, the Southwest, and the history of US-Mexico trade.

Domenech, Abbé Emmanuel. Missionary Adventures in Texas and Mexico: A Personal Narrative of Six Years’ Sojourn in Those Regions. Longman, Brown, Green, Longmans, and Roberts, 1858.
A few years after its publication, Abbé Dommenech served as Maximilian’s press secretary. Here he recounts his travels in the parts that might more properly be called Apachería and Comanchería. Grim stuff.

Sherman, William T. The Memoirs of General William T. Sherman. D. Appleton and Co., 1886
One of the greatest memoirs of the 19th century. Some mighty strange stories in here.

If this finds you, dear writerly reader, working on a biography, history, or historical fiction, whether Texas-related or not, the rest of this post is also for you. Normally I post for my writing workshop the second Monday of each month, but on occasion I make an exception. (In any event, look for the regular workshop post next Monday.)

Hot Diggety Digital!

Is it practical to go all digital with your working library? Probably not. But partially, yes. It depends on your project and your daily capacity for screentime & scrollin’. As I continue with my book in-progress on Far West Texas which, of all my several books to-date, has required the largest working library, this finds me still a-huffin’ & a-puffin’ up the learning curve for utilizing and managing my working library. But I can say that I’ve achieved some oxygen-tank-worthy altitude! Three things about working with working libraries that I learned the “ouch” way:

(A) buy the book whenever possible (else I may not get my hands on it again);

(B) make space, more space than you will ever think you could possibly need for the working library because… you will need it; and

(C) in some way, ruthlessly, keep the books organized (for this I use categories and bookmarks. See A Working Library: Further Notes and Tips for Writers of Historical Fiction, Biography, History, Travel Memoir / Essay, etc.).

I cannot say it too often, a book I cannot find is a book I might as well not own.

A BOOK I CANNOT FIND
IS

A BOOK I MIGHT AS WELL NOT OWN

Kindles?

Only when I don’t have another option. For this particular book project, I have not found Kindles of much use. In my experience, for the most part, where there is a Kindle, there is also a paperback and I ever and always prefer the paperback.

What About Using (Um, Actually Going to) a Library or Three?

Yes, of course, I have used both public and research libraries. That would be another blog post (such as this one). That said, for independent scholars with limited travel options, relying on libraries is not ever and always nor even usually the best option when it comes to consulting a given book. Let me put it this way: I don’t cook spaghetti one noodle at a time, either.

Rare Books Out of Reach?

But what about when a needed book is impossible to find and/or too expensive to buy? A fine copy of certain classic 19th works can go for hundreds, even (I’m talking about you, Josiah Gregg) thousands of dollars. Happily, many such classics are now in the public domain, that is to say, they are out of copyright and some publisher somewhere has brought out an affordable paperback edition. My working library has many such paperbacks purchased for a few bucks each from my go-to online booksellers. I’ve also purchased used and ex-library books of later editions, many of which books, not being in such good shape, are generally inexpensive (sometimes the book is cheaper than the shipping), these mainly from www.abebooks.com. And finally, on a few special occasions, I have shelled out a pile of clams for a rare book (see my posts on rare books here and here, for example). For rare books, stay away from amazon and ebay because many used book sellers on those platforms do not know how to properly describe a rare book (you’ll think you’re getting the elephant, but what shows up is a three-legged alpaca). It is best to buy from a member-in-good-standing of the Antiquarian Booksellers Association of America, or similar association, for those dealers based in other countries.

Free!

Fortunately for this writer’s pocketbook, many out-of-copyright oldies are now available in ***free*** digital editions on the nonprofit Internet Archive archive.org and/or the Gutenberg Project gutenberg.org. Lo and behold, many of the books I need in my working library fall into this category.

For example, the English translation of the French Abbé Emmanuel Domenech’s memoir Missionary Adventures in Texas and Mexico was one I had been looking for several years (it was relevant to an earlier book of mine, as well.) When a copy finally popped up, alas, its price was well out of my budget. But I can now access Domenech’s memoir for my working purposes, thanks to the free online edition.

And Searchable!

Yep, digital books are also searchable and that can come in handy.

Behold:
The Digital Döppelgänger

So, after some time working on this Far West Texas book, I have accumulated what I think of as the digital Doppelgänger to my physical working library, the Texas Bibliothek.

As I noted in a previous post about how I organize my (physical) working library, I shelve the physical books under categories that work for me— categories that may not necessarily make sense to anyone else. I also include books which inclusion may not make sense to anyone else. And that is OK: Anyone Else is not the name of the person writing my book. Nor is Anyone Else writing your book, I would imagine…

And what about when, as is oftentimes the case, a book falls into two or more categories? Well, la de diddly da, I just pick one category, and go with that. My working library may be large, but I don’t need to put on rollerskates to go in there.

How to keep an online working library
organized for one’s writerly purposes?

For the online library originally I kept a list, by author in alphabetical order, on a blogger blog (treating it as basically a free, oft-updated webpage). But I have since moved to a system that works much better for me: I categorize the links to the online books in the same way as I do my physical working library, using a photo for quick reference, on a private page of my very own self-hosted WordPress blog, Madam Mayo.

Herewith, one example of the approximately 30 categories in my online working library (that is to say, a photo of the physical working library ‘s label and shelf + any online titles):

Davis, Richard Harding. The West from a Car-Window, Harper & Brothers, 1892.

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Q & A with Sergio Troncoso, Author of A Peculiar Kind of Immigrant’s Son 

A Review of Claudio Saunt’s West of the Revolution: 
An Uncommon History of 1776

The Solitario Dome

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Q & A with Solveig Eggerz on “Sigga of Reykjavik”

“My interest in the 20th century history of Iceland led me to write. I wanted to show how Iceland struggled for independence from Denmark, how isolated Iceland was from the rest of the world until May 10, 1940 when Churchill’s occupation force arrived, and how Iceland’s independence hung in the balance during World War II.”—Solveig Eggerz

This blog posts on Mondays. Fourth Mondays of the month I devote to a Q & A with a fellow writer.

One of my very favorite writers is Solveig Eggerz. Waaaay back in 2011 I interviewed her about her novel The Seal Woman for my Conversations with Other Writers occasional podcast series (listen in to that interview anytime here.) Although she has been living in the Washington DC area for many years, Solveig Eggerz is from Iceland, so of course she speaks Icelandic and she writes about Iceland in a knowing way. Her work is so fresh, like a sea breeze and it will carry you right to the shores of that far, fantastic isle. Her novel Sigga of Reykjavik is recently out in a new edition from Bacon Press Books, apropos of which she agreed to answer some questions. But first, here is the catalog copy for Sigga of Reykjakik:

Meet Sigga, a spirited young woman who flees the abusive conditions on an Icelandic farm, only to face grinding poverty in Depression-era Reykjavik. Her struggle for independence runs parallel to Iceland’s quest for freedom from Danish dominance. Born a century before the Me-Too movement, Sigga supports her family, working among men who learn never to touch her without her permission. Adventurous, optimistic, and always practical, Sigga is thrilled when World War II brings Iceland out of centuries of isolation. Thousands of Allied forces occupy the country, bringing money and work. But moral dilemmas abound as Sigga seeks to financially exploit the occupation while at the same time protecting her young and beautiful red-headed daughter from soldiers.

C.M. MAYO: In brief, what inspired you to write Sigga of Reykjavik?

SOLVEIG EGGERZ: My interest in the 20th century history of Iceland led me to write. I wanted to show how Iceland struggled for independence from Denmark, how isolated Iceland was from the rest of the world until May 10, 1940 when Churchill’s occupation force arrived, and how Iceland’s independence hung in the balance during World War II.

C.M. MAYO: As you were writing, did you have in mind an ideal reader?

SOLVEIG EGGERZ: My ideal reader would be excited about little known history and charmed by quirky characters.  

C.M. MAYO: Now that it has been published, can you describe the ideal reader for this book as you see him or her now?

SOLVEIG EGGERZ: An ideal reader loves my protagonist despite her flaws and sees the logic in gaining one’s personal independence through sewing corsets.

C.M. MAYO: Can you share any surprises for you about your book’s reception? (Andf has it been different in different countries?)

SOLVEIG EGGERZ: I have been surprised when readers do not discern Sigga’s anger as a cloak for the intense love she felt for those closest to her.  

C.M. MAYO: Which writers have been the most important influences for you?

SOLVEIG EGGERZ: The writers that set me free from the ordinary are Annie Proulx (The Shipping News) and the Icelandic writer, Halldor Kiljan Laxness (Independent People).

C.M. MAYO: Which writers are you reading now? 

SOLVEIG EGGERZ: I Know Why the Caged Bird Sings by Maya Angelou, even better on second reading; Survival on the Edge: Seawomen of Iceland by anthropologist, Margaret Willson; and a trilogy about a brave and wise woman of the Viking era, Auður Djúpúðga by Vilborg Davíðsdóttir

C.M. MAYO: How has the Digital Revolution affected your writing? Specifically, has it become more challenging to stay focused with the siren calls of email, texting, blogs, online newspapers and magazines, social media, and such? If so, do you have some tips and tricks you might be able to share? 

SOLVEIG EGGERZ: Actually I love writing on the computer. I am not one to long for life in a cabin on a mountaintop where I write on a yellow pad free of technology. I don’t like to be surprised by “emergencies” days after they occur. I resolve the issue of disturbances by keeping my phone next to me, so I can glance at a message without shutting down my story. Maybe I am exaggerating my equanimity!

C.M. MAYO: For those looking to publish, what would be your most hard-earned piece of advice?

SOLVEIG EGGERZ: Don’t waste years seeking an agent, a large publisher, a small publisher, or anything. Instead invest time and money in getting your work read and vetted 1) by your favorite writers group and 2) by an excellent developmental editor or mentor. Once you feel confident that you’ve written a good book, do what feels right regarding publishing.

C.M. MAYO: What’s next for you as a writer?

SOLVEIG EGGERZ: I’m returning to my toughest task, assigning coherence to my collection of personal stories, so that I might honestly call them a memoir.

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Visit Solveig Eggerz and learn more about her novels at solveigeggerz.com

Q & A with Álvaro Santana-Acuña on Writing Ascent to Glory: How One Hundred Years of Solitude Was Written and Became a Global Classic

Donald M. Rattner’s My Creative Space

Q & A: Sara Mansfield Taber on Chance Particulars: A Writer’s Field Notebook

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Upcoming Virtual Lecture on Francisco I. Madero and Spiritism at the Centro de Estudios de Historia de México

Back in 2014 my book on the leader of Mexico’s 1910 Revolution, Francisco I. Madero, came out and, shortly thereafter, its Spanish translation was formally presented at the Centro de Estudios de Historia de México (CEHM) in Mexico City. I am very honored that the CEHM has asked me back to give a lecture (in Spanish) on the topic of Madero and Spiritism this March 10th at 12 PM Mexico City time (that would be the same as 12 PM USA Central Time). In these times of the pandemic it will be virtual, via the Mexican equivalent of Zoom. Of note, the CEHM has in its archives Francisco I. Madero’s personal library, which has many rare esoteric texts, some of which I will be discussing in my talk. If this piques your interest, zap me an email and I should be able to get you the link for the virtual event.

This video (below) gives a flavor of some of what I will be discussing.

My book, Metaphysical Odyssey into the Mexican Revolution is my book-length essay of creative nonfiction about my translation, plus my translation— the first—of Madero’s secret book, the 1911 Manual espírita, or Spiritist Manual. Metaphysical Odyssey into the Mexican Revolution is also available in Spanish translation (an excellent one by a writer I much admire, Agustín Cadena) as Odisea metafísica hacia la Revolución Mexicana, together with a complete transcript of Madero’s 1911 Manual espírita.

My scholarly paper about my research, with a little forest of footnotes, “Francisco I. Madero and His Secret Book,” was published in the Journal of Big Bend Studies in 2017.

You can also find Jeffrey Mishlove’s interview with me about the book on his YouTube channel, New Thinking Allowed. There is also a Biographers International Newsletter “Interview with C.M. Mayo: Strange Spark of the Mexican Revolution“; a podcast of my talk for the Center for US-Mexican Studies at the University of California San Diego; Greg Kaminsky of Occult of Personality’s podcast interview (this being the most focused on the occult); and finally, you can also listen in to Daniel Chacón’s “Words on a Wire” Podcast Interview with Yours Truly About Francisco I. Madero’s Secret Book.

This finds me still working on the podcast about Sanderson, Texas, that podcast series, “Marfa Mondays,” being apropos of my book in-progress on Far West Texas. During the Mexican Revolution some crucial battles and incidents took place on the US-Mexico border, so the ever-charismatic and unusual Don Francisco will make an appearance in this book as well.

P.S. Next Monday’s post will be the fourth-Monday-of-the-month Q & A with another writer.

Reading Mexico: 
Recommendations for a Book Club of Extra-Curious 
& Adventurous English-Language Readers

Peyote and the Perfect You

Cartridges and Postcards from the US-Mexico Border of Yore

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Recommended Books on the Creative Process

This blog posts on Mondays. Second Mondays of the month I devote to my writing workshop students and anyone else interested in creative writing. Welcome!

> For the archive of workshop posts click here.

For updates to this list, see the dedicated page Recommended Reading on Creative Process.

Last month I posted my list of recommended books on the craft of creative writing. This month, herewith, my list of recommended books on the creative process. May they prove as useful and inspiring for you as they have been for me.

By the way, many of these books are not about creative writing per se. As writers we can learn not only from other writers, but from painters, filmmakers, musicians, athletes, computer science professors— in sum, anyone who sets out to do, and keep on doing, extraordinary things when the world, alas, does not always respond in a timely nor generous manner.

TOP PICKS ON CREATIVE PROCESS

*Gilbert, Elizabeth. Big Magic: Creative Living Beyond Fear
Wondrously, brilliantly wonderful.

*Newport, Cal, Deep Work: Rules for Focused Success in a Distracted World.
Outstanding and oftentimes surprising advice from a successful academic and best-selling author. Read my post about this book here.

—— Digital Minimalism
Ye Bible.

*Pressfield, Steven, The War of Art: Winning the Creative Battle
The best. If you’re blocked and you want to buy one book to help yourself, this is the one. P.S. be sure to check out his website and blog.

*Ricco, Gabriele Lusser, Writing the Natural Way: Using Right-Brain Techniques to Release Your Expressive Powers
Revolutionary.

AND BY THE WAY,
THIS IS WHAT I HAVE TO SAY ABOUT CREATIVE PROCESS
(NOT A BOOK BUT THE TRANSCRIPT OF A TALK):

*Mayo, C.M. “On Seeing as an Artist or, Five Techniques for a Journey to Einfuhlung.”
Not a book but a transcript of remarks for the panel on “Writing Across Borders and Cultures,” Women Writing the West conference, Santa Fe, New Mexico, October 15, 2016.

MORE RECOMMENDED READING:

Brown, Rita Mae: Starting From Scratch: A Different Kind of Writer’s Manual

Burnham, Sophy, For Writers Only
Easy to dip into. Wise words.

Baum, Kenneth, The Mental Edge: Maximize Your Sports Potential 
with the Mind-Body Connection

Read my mini-review here.

Benke, Karen, Rip the Page! Adventures in Creative Writing
For creative children— of all ages. Read her guest-blog post for “Madam Mayo” here. (Link goes to old blogger platform, will be corrected shortly.)

Cameron, Julia, The Artist’s Way

New Agey (and so not for everyone) but also highly practical. Her concept of the “artist date” I have found brilliantly effective.

— , The Sound of Paper: Starting from Scratch
Thoughtful, elegant, and inspiring mini-essays.

Dillard, Annie, Living by Fiction
A book about the world.

Flack, Audrey, Art & Soul: Notes on Creating
Deep. The artist as shaman.

Friedman, Bonnie, Writing Past Dark: Envy, Fear, Distraction, and Other Dilemmas in the Writer’s Life
From the trenches.

Goldberg, Natalie, Writing Down the Bones: Freeing the Writer Within
A very popular book. Packed with fun writing exercises.

Iglesias, Karl, The 101 Habits of Highly Successful Screenwriters: Insider Tips from Hollywood’s Top Writers
Useful tips for any writer.

Kingston, Karen, Clear Your Clutter with Feng Shui
Because… maybe… that’s what you need to do!

Lamott, Anne, Bird by Bird: Some Instructions on Writing and Life
Hilarious. For anyone at any stage in their writing.

Leonard, George, Mastery: The Keys to Success and Long-Term Fulfillment
Zen.

Maisel, Eric, PhD., Fearless Creating: A Step-by-Step Guide to Starting and Completing Your Work of Art
Dr Maisel specializes in helping artists, and he’s a prolific writer himself. Wise advice.

Palmer, Amanda, The Art of Asking: How I Learned to Stop Worrying and Let People Help
It might seem that this book is about about asking for help and money and then, as Palmer puts it, “taking the donuts,” but it’s really about the artist as shaman. 

Rattner, Donald M. My Creative Space: How to Design Your Home to Stimulate Ideas and Spark Innovation
Read my post about this book here.

Rhodes, Richard, How to Write: Advice and Reflections
Good advice from a highly accomplished and prolific writer.

See, Carolyn, Making a Literary Life
Good advice from another highly accomplished and prolific writer — this one from LA. It’s a hoot.

Soojung-Kim Pang, Alex, Rest: Why You Get More Done When You Work Less
Read my post about this book here.

Ueland, Brenda, If You Want to Write: A Book About Art, Independence and Spirit
A classic that has proven especially popular with my writing workshop participants.

This Writer’s PFWP and NTDN Lists: 
Two Tools for Resilience and Focus

Q & A with Timothy Heyman on the Incomparable Legacy 
of German-Mexican Novelist B. Traven

Translating Across the Border

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From the Texas Bibliothek: The Sanderson Flood of 1965; Faded Rimrock Memories; Terrell County, Texas: Its Past, Its People

This blog posts on Mondays. This year, 2021, I am dedicating the first Monday of the month to Texas Books, in which I share with you some of the more unusual and interesting books in the Texas Bibliothek, that is, my working library. Listen in any time to the related podcast series.

Writes Craig Childs in his masterful The Secret Knowledge of Water, “There are two easy ways to die in the desert: thirst and drowning.” It does indeed rain in the desert, not often of course, but when it does, with so little vegetation to catch it, water can rage through canyons with killing power. In Far West Texas a standout tragedy of the 20th century was the June 11, 1965 flash flood that killed 26 people and devastated the little railroad town of Sanderson.

But this post isn’t about the Sanderson flood, rather, the matter of books in a writer’s working library. Back when I was writing Miraculous Air: Journey of a Thousand Miles through Baja California, the Other Mexico, my first book of creative nonfiction, I learned the painful way to never, as in, never ever, let pass the chance to snap up a book of local history. These histories, which often offer the richest of detail, unique voices, and personal memories, are vital reading for such a work as mine—as those of you who follow this blog well know, I’m now working on a book about Far West Texas.

Oftentimes local histories are self-published, and in the days before amazon and print-on-demand, only available locally and in limited numbers. Try to find such a book later, and chances are… you won’t. So when I wandered into the Sanderson Visitors Center and saw them, I snapped up Tales of the Flood, a collection of oral histories by C.W. (Bill) Smith, along with Russell Ashton Scogin’s history, The Sanderson Flood of 1965: Crisis in a Rural Texas Community (Sul Ross State University, 1995), and Terrell County, Texas: Its Past Its People (Rangel Printing, Fourth Printing, 2008).

Sanderson is the seat of Terrell County, a county best known for its hunting ranches with fabulous vistas, its cactus, and sheep ranching. One of the more remote towns in Texas, from El Paso Sanderson lies a 4 and a half hours drive east, and from Austin a 5 and a half hours drive west. If you live anywhere in the county outside of Sanderson, you’ll want a rifle. It’s infested with rattlesnakes.

Here’s my map of Far West Texas (that is, Texas west of the Pecos River), showing Sanderson just above the US-Mexico border between Langtry and the Big Bend National Park.

In the Sanderson Visitors Center C.W. (Bill) Smith granted me a fascinating and wide-ranging interview on Sanderson’s history–which of course included much discussion of the 1965 flood. The podcast of this interview has been a long while in production, but I’ll be posting it shortly. (You can listen in to the other 21 podcasts apropos of this book posted to date here.)

From C.W. (Bill) Smith’s Tales of the Flood, from “Genaro’s Story”:

Sometimes a moment of mirth turns to disaster in seconds. Genaro Valles and his wife of Del Rio were just in town visiting. They had found an older wooden house near the Dairy King to stay in while there and spent a restless night from the pounding rain and the roar of the nearby creek. Early that morning Genaro awoke to the sound of water running. He teased his wife for letting the water run in the old toilet. But as he turned over to return to sleep his hand dropped by the side of the bed and fell into cold water…

If memory serves me, I found Joe Brown’s Faded Rimrock Memories in one of the Big Bend National Park ranger station bookstores. A Sanderson, Texas native, Brown grew up “all over West Texas, doing whatever to survive.” His ranch stories and cowboy poetry are lively examples of the genre, and his rattlesnake stories alone are worth the price of the book.

From Faded Rimrock Memories by Joe Brown:

A Texans Version of Jesus Birthplace

Jesus was born in Texas, this I know,
Listen and tell me this is not so.
His mother rode into town on an ass,
His father walked, they had no cash

(end of excerpt)

As for the Terrell County book, a hardcover that clocks in at over 700 pages, that was a bit pricier, and dicier to pack into my luggage. But I’m glad I did, for it is a superb reference on the region, with innumerable family and business histories, and it includes local newspaper clippings from the 1965 flood—and earlier and also devastating floods.

So what is the Texas Bibliothek? That’s what I call my working library for my book-in-progress, tentatively titled World Waiting for a Dream: A Turn in Far West Texas. Texans are rather more prolific on the literary front than bajacalifornianos, so keeping the Texas Bibliothek in order has been, shall we say, a learning experience. But my bookmark organizing method, which I blogged about here, is keeping me away from the Advil.

Next month for my first-of-the-month post on Texas books I’ll be blogging about using archive.org and assembling an online library for out-of-copyright books, that is, books that are now in the public domain. Reading a book online is never the ideal option, but oftentimes necessary.

A Trio of Texas Biographies in the Texas Bibliothek

Lone Star Nation: How Texas Will Transform America by Richard Parker

“Dear Mother, Am feeling hard as a rock and brown as an Indian”:
More Postcards from the US-Mexico Border Circa 1916

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Q & A with Christina Thompson on “Sea People: The Puzzle of Polynesia”

“A very clever agent once told me to write for the smartest person I know who knew nothing about my subject. I thought this was great advice, and I have both kept it in mind for myself and passed it along to my students ever since“
— Christina Thompson

This blog posts on Mondays. Fourth Mondays of the month I devote to a Q & A with a fellow writer.

Splendidly written and deeply researched, Christina Thompson’s Sea Peoples will appeal to not only specialists on Polynesia but any discerning reader with a broad interest in history—or, I should say, the enduring question of what it means to be human. What brought me to read Sea People is my interest in what historian David M. Wrobel calls the “global frontier.” My own work in-progress is on Far West Texas, which, like Polynesia, saw its first European explorers, then Euro-American colonizers, within roughly the same time frame. One might call Far West Texas a sort of reverse Polynesia: it is a desert land with widely scattered oases. Like Polynesia, anyone who would attempt to travel through it risked mortal danger. When and how did the Polynesians sail into that vast watery expanse of the globe and settle the islands from New Zealand to Hawai’i to Easter Island? Thompson uncovers a riveting and profoundly important story.

C.M. MAYO: In brief, what inspired you to write Sea People?

CHRISTINA THOMPSON: There’s a chapter in my previous book in which I describe the experience of staying behind in Honolulu while my husband traveled with our young son to NZ for his father’s funeral. My husband is Maori and, of course, I knew the big story about Polynesia—how the Islanders in Hawai‘i and Easter Island and New Zealand and everywhere in between were all part of one big family. But the breathtaking reality of what that actually entailed came home to me in a new way when I looked out at the Pacific from Honolulu and thought about how far away New Zealand was. Sea People is an attempt to work out the implications of that understanding.

C.M. MAYO: As you were writing, did you have in mind an ideal reader?

CHRISTINA THOMPSON: A very clever agent once told me to write for the smartest person I know who knew nothing about my subject. I thought this was great advice, and I have both kept it in mind for myself and passed it along to my students ever since. 

C.M. MAYO: Now that it has been published, can you describe the ideal reader for this book as you see him or her now?


CHRISTINA THOMPSON: I learned a lot of things in the course of writing this book, and I ended up explaining some fairly esoteric subjects, like the theory behind coral atoll formation, or how radiocarbon dating actually works, or what a reconstructed proto-language is. My working assumption was always that if I found these things fascinating, my ideal reader most likely would too. 

C.M. MAYO: In your researches, what are the one or two things that most surprised you to uncover?

CHRISTINA THOMPSON: I was amazed to learn that a very tiny number of potsherds had been discovered in the Marquesas, 3,500 miles from the nearest island in which pottery is known to have been made. The implication is that those sherds were likely carried there nearly 1000 years ago by some very early voyager.

I was also fascinated by the fact that European explorers sometimes found signs that islands had once supported significant populations which had since disappeared, leaving us to wonder what happened to those people.

C.M. MAYO: Can you share any surprises for you about your book’s reception?


CHRISTINA THOMPSON: I definitely did not anticipate how many male readers I would have. A great deal of the enthusiasm for this book has come from men, many of whom work in technical fields. I was so surprised by this that I wrote a little essay about it for the American Scholar.

C.M. MAYO: Which writers have been the most important influences for you as a writer of narrative nonfiction? And for Sea People in particular?

CHRISTINA THOMPSON: Bruce Chatwin’s In Patagonia is one of my touchstones; it opened my eyes to what could be done with travel narratives and history and a geographical perspective. Another writer in a similar vein who had a great influence on me is Jonathan Raban, author of the very wonderful Bad Land. Theoretically I am very indebted to a profoundly creative Australian historian named Greg Dening, and when I want to be reminded how to write about the islands, I look to Somerset Maugham and Robert Louis Stevenson’s masterful descriptive passages. 

C.M. MAYO: Which writers are you reading now? 

CHRISTINA THOMPSON: I’m currently reading Julia Blackburn’s Time Song, T. M. Luhrmann’s When God Talks Back, and Daniel Mendelsohn’s Three Rings, plus a Brodie Jackson novel by Kate Atkinson.

C.M. MAYO: How has the Digital Revolution affected your writing? Specifically, has it become more challenging to stay focused with the siren calls of email, texting, blogs, online newspapers and magazines, social media, and such? If so, do you have some tips and tricks you might be able to share? 

CHRISTINA THOMPSON: I think this depends on what stage one is at in the writing process. When you’re actually writing a book, all this stuff is a distraction and you have to be very careful not to waste too much time on it. But once your book is published, it becomes a lifeline to your readership, and the more you participate the better. So, I think it’s really a matter of making all these opportunities work for and not against you, and that takes a certain amount of discipline. 

C.M. MAYO: For writers of narrative nonfiction keeping notes and papers organized can be more than tremendously challenging. Would you have any tips to share? 

CHRISTINA THOMPSON: I have a bad system. I take notes on what I’m reading in a series of composition notebooks (the black and white marbled kind). I am always reading several books at once and the notes get all jumbled, a few pages about this book, then a few pages about something else, then some pages about a third thing. I never know where anything is. But then when I read back through the notebooks, it’s like a narrative of my reading history and I can see the threads of ideas and themes that interest me. One thing I am scrupulous about, however, is keeping track of page numbers and bibliographic citations. 

C.M. MAYO: For those looking to publish, what would be your most hard-earned piece of advice?

CHRISTINA THOMPSON: Don’t be too impatient and don’t try to publish work that isn’t ready. Also, I do recommend having some readers for your work-in-progress: a writing group or a class can really help you identify weaknesses in your writing that you might not be able to identify on your own. 

C.M. MAYO: What’s next for you as a writer?

CHRISTINA THOMPSON: I’m working on a book about early 19th century missionaries in the Pacific. They are a very polarizing group and they had a very big impact on island societies. I want to try to understand their experience, as well as the experience of the people they set out to evangelize, and the lasting consequences of these encounters. 

> Visit Christina Thompson’s website and learn more at www.christinathompson.net

Q & A with Timothy Heyman on the Incomparable Legacy of 
German-Mexican Novelist B. Traven

From the Writer’s Carousel: Literary Travel Writing

Lord Kingsborough’s Antiquities of Mexico

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