Newsletter: C.M. Mayo’s Podcasts, Publications, and Workshops, Plus Cyberflanerie (Corona Virus-Free Edition!)

My writing assistants Uliberto Quetzalpugtl and Washingtoniana Quetzalpugalotl snoofling at the mysteries.

For those interested in my publications, podcasts, and writing workshops, after a loooooong hiatus, I am resuming the newsletter, herewith commencing a new schedule of posting it on Madam Mayo blog every fifth Monday of the month (when there is a fifth Monday, that is to say, a few times a year).

I will also be sending out the newsletter to subscribers via email. If you would like to receive only the emailed newsletter, just zap me an email, I’ll be delighted to add you to my list. (If you’ve already signed up, stay tuned. I’ve had to switch my emailing service from Mailchimp to Mad Mimi, a bit of a process. Long story short, I give Mailchimp a black banana. Mashed in the noggin!)

If in addition or instead you’d like to sign up for the Madam Mayo blog post alerts every Monday via email, just hie on over to the sidebar (or, if you’re on an iphone, scroll down to the end of this post) for the signup. Welcome!

PODCASTS

“WORDS ON A WIRE”: Award-winning writer and Chair of the UTEP Creative Writing Department Daniel Chacón interviews me about my book Metaphysical Odyssey into the Mexican Revolution: Francisco I. Madero and His Secret Book, Spiritist Manual (which includes my translation of Madero’s 1911 book). This interview with Daniel Chacón was a special honor and delight for me because while my book is a work of scholarship, it is at the same time a work of creative nonfiction. It turned out to be a very fun interview, if I do say myself. >> Listen in anytime here.

Still in production, but allllllllmost ready: The MARFA MONDAYS Podcasting Project resumes with #21: a reading of my longform essay “Miss Charles Emily Wilson: Great Power in One.” Researching and writing this rearranged all the furniture in my mind about Texas, the US-Mexico border, Florida, the Indian Wars, and much more… Miss Charles is someone everyone should know about.

RECENT PUBLICATIONS

Majesty,” one of the stories from my collection Sky Over El Nido (U Georgia Press, 1996), appears in Down on the Sidewalk: Stories About Children and Childhood from the Flannery O’Connor Award for Short Fiction, edited by Ethan Laughman.

My gosh, it’s unsettling to read a story I wrote so long ago (maybe 1993 or 1994?). And “Majesty” is a strange story, and stranger still to be rereading in this age of the iPhone. It’s set in an Arizona luxury golf resort / spa in the late 1980s / early 1990s–another world, so to say, and on multiple levels. I recall the fun I had playing with the Alice in Wonderland imagery– I had recently been introduced by Douglas Glover to the German novel The Quest for Christa T. and the idea of the story as a net, an important influence on my fiction writing ever since.

Get your copy from all the usual suspects, including amazon.com

GIVAL PRESS POETRY AWARD CONTEST
JUDGED BY YOURS TRULY

Back in January, as the winner of the most recent Gival Press Poetry Award (for Meteor), I selected the winner for this year from an excellent batch of anonymous manuscripts. Here’s the press release from Gival Press:

February 6, 2020
For Immediate Release
Contact: Robert L. Giron

(Arlington, VA) Gival Press is pleased to announce that Matthew Pennock has won the Gival Press Poetry Award for his collected titled The Miracle Machine. The collection was chosen by judge C.M. Mayo. The award has a cash prize of $1,000.00 and the collection will be published this fall. 

“With a craftsman’s deftest precision and a thunder-powered imagination on DaVinci wings, the author recreates a lost world within a lost world that yet—when we look—shimmers with life within our world. Elegant, wondrously strange, The Miracle Machine is at once an elegy and a celebration, tick-tock of the tao.”
—C.M. Mayo, author of Meteor

About the Author

Matthew Pennock is the author of Sudden Dog (Alice James Books, 2012), which won the Kinereth-Gensler Award. As per the terms of that award, he joined the board of Alice James Books in 2011, In 2014, he co-created AJB’s editorial board with executive editor Carey Salerno, and then became the board’s first chairperson, a position he held until 2020. He received his MFA from Columbia University and his PhD from the University of Cincinnati. His poems have been widely published in such journals as Gulf Coast, Denver Quarterly, Western Humanities Review, Guernica: A Magazine of Art and Politics, New York Quarterly, LIT, and elsewhere. He currently owns and operates a learning center outside of Washington, D.C.

In case you missed it, here’s all the info about my poetry collection Meteor, which was published by Gival Press last spring, 2019.

SELECTED RECENT MADAM MAYO BLOG POSTS

Patti Smith’s Just Kids and David M. Wrobel’s Global West, American Frontier

Oscar Wilde in West Point, Honey & Wax in Brooklyn


Workshop Posts (every second Monday of the month):

Donald M. Rattner’s My Creative Space

This Writer’s PFWP and NTDN Lists: Two Tools for Resilience and Focus

A Refreshing Tweak: The Palomino Blackwing Pencil

Q & A

Q & A with Joanna Hershon on her New Novel St. Ivo

WORKSHOPS

I am working on a book so I have no workshops yet scheduled for 2020. For my students, and anyone else interested in creative writing, I will continue to post on some aspect of craft and/or creative process here at Madam Mayo blog on the second Monday of the month.

> View the archive of Madam Mayo workshop posts here.

Meanwhile, I’m putting together a new workshop on applying poetic techniques to fiction and creative nonfiction… More news about that in the next newsletter.

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CYBERFLANERIE
(INSPIRING, INTERESTING, AND/OR USEFUL GLEANINGS)

My typosphere guru, philosopher Richard Polt, has posted about the dance based on his “Typewriter Manifesto”!

How to smombify millions of otherwise healthy, active, and creative people or, electrical failure as last defense: Nicholas Carr on TikTok.

Let’s be frank, shall we? Leslie Pietrzyk offers tips on post-MFA etiquette at Work-in-Progress.

BRAAAAAAAVOOOOOOOOOO, Judith Boyd!!!! What to Wear in Honor of the Death of a Significant Friend is a highly unusual essay well worth reading thrice.

Patricia Dubrava on Little Women

Andrea Jones “On Not Riding”

Philosopher Jeremy Naydler on light and thought. Poets and literary writers may find this especially energizing. (Not for those who get cooties from any whiff of woowoo, however.)

Clifford Garstang, who did a Q & A for this blog in 2019, has posted his annual Literary Magazine rankings. Dear writerly readers looking to publish, while of course his, mine, yours, or anyone’s rankings of literary magazines are subject to debate, take this as a valuable and free resource!

Speaking of publishing, that usually involves a heaping helping of rejections. Well, I say, micro freaking deal! Rev that sense of humor! Need some assistance in that department? Here’s what Jia Jiang learned from 100 days of rejection:

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There’s more to Mexico than beaches & pyramids & Frida chunches… (Chunches: That’s Mexican for tchotchkes. Not to be confused with Ughyur raisin-drying facilities.) For anyone interested in the rich cultural heritage of Mexico, check out Richard Perry’s long-ongoing blog, Arts of Colonial Mexico. Richard writes: “For the New Year, we plan to highlight monuments and art works in Oaxaca and Yucatan as well as in Guanajuato, Puebla and Tlaxcala.”

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An email from Danuta E. Kosk-Kosicka, editor of Loch Raven Review:

Dear Fellow Translators,

I want to spread the word about Loch Raven Review’s role in showcasing poetry translated from a variety of languages, featuring as a rule one language per each issue’s bilingual section. Since 2011, when I accepted the responsibility of the Poetry Translations Editor, Loch Raven Review has featured 21 sections of poetry in translation. I’ve compiled a list of all the sections, starting with the Spanish language, followed by the expected and unexpected languages, such as Catalan, Mayan or Kurdish, at http://danutakk.wordpress.com/loch-raven-review/ 

I’ve made it a point to engage local area translators, starting with Yvette Neisser and Patricia Bejarano Fisher, then Nancy Naomi Carlson, Barbara Goldberg, Katherine E. Young, Nancy Arbuthnot, Zeina Azzam, and then Zackary Sholem Berger, Xuhua Lucia Liang, and Maritza Rivera in the most recent LRR Volume 15, No. 2, 2019.

Also, since 2018 we’ve been busy catching up with LRR print volumes. In 2019 we published Volumes 10-13! 
You may enjoy them at http://thelochravenreview.net/loch-raven-press-books/ and on our Facebook page.

Vol. 14 is going to press soon.

Starting in 2018 we have nominated four translations for the Pushcart Award.

I feel proud and happy to be able to bring together poets who write in such a variety of languages, and the translators who make the poems available to the English language readers.

Wishing you all a peaceful, creative, and joyful 2020, 

Danka

Danuta E. Kosk-Kosicka

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Emma Lawton on “What Parkinson’s Taught Me”:

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There is nothing you cannot do! Says Tao Porchon-Lynch, the world’s oldest yoga teacher– who recently passed away at 101. She made 98 look like 18. Bless you, Tao.

Cyberflanerie: Bill Cunningham, Brattlecast,
Rudy Rucker, Sturmfrei & More

“The Typewriter Manifesto” by Richard Polt, 
Plus Cyberflanerie on Technology

Remembering Ann L. McLaughlin

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Find out more about
C.M. Mayo’s books, articles, podcasts, and more.

It Can Be Done! This Writer’s Distraction Free Smartphone (DFS), Plus an App Evaluation Flowchart to Tailor-Make Your Own

This blog posts on Mondays. Second Mondays of the month I devote to my writing workshop students and anyone else interested in creative writing. Welcome!

> For the archive of workshop posts click here.

You could leave it hanging in the tree in the backyard… not what I am recommending, however. Photo courtesy of MorgueFile.

SMOMBIE: It’s a word that popped up in Germany only in 2015. It’s hard to imagine now, but a decade ago, a scene, typical today, of smombies shuffling along city streets would have been but a cliché in a sci fi novel. But here we are.

When we lack the words to precisely describe something, it becomes difficult to recognize it, never mind debate and discuss it. Albeit some decades ago, the Digital Revolution burst upon us all, a series of tsunamis of such dizzying celerity that our vocabulary is still catching up. Only a few years ago a much-needed term was coined by Jake Knapp: “Distraction Free iPhone.” I came across the term when I read Knapp’s recent update on his experience here.

DISTRACTION FREE SMARTPHONE = DFS = defis

I’ll switch that last word from “iPhone” to “smartphone” to make it Distraction Free Smartphone, DFS for short. I did not think of my smartphone as distraction free until now, but for the past several years, that’s precisely what I have been moving towards, a DFS. Hmm, that sounds a mite snappier!

And I hereby tweak DFS to “defis,” which, I note, is the plural of “defi” which means “challenge” or “defiance.” Indeed, using a distraction-free smartphone is an act of defiance towards smombiedom.

BEYOND PRO OR CON

The magic is, this new word, DFS, or defis, nudges us beyond the rigid ping-pong of pro or anti-smartphone; forward-looking or old fogey. As I wrote in a recent post:

“The reigning paradigm is the same one we’ve had since forever: if it’s digital and new it must be better; those who resist are old fogeys. It’s a crude paradigm, a cultural fiction. And it has lasted so long a time in part because those who resisted either were old fogeys and/or for the most part could not articulate their objections beyond a vaguely whiney, ‘I don’t like it.’

“As an early adopter of digital technologies for decades now (wordprocessing in 1987, email in 1996, website 1998, blog 2006, podcast and Youtube channel 2009, bought a first generation iPad, Twitter 2008, and first generation Kindle, self-pubbed Kindles in 2010, etc.), I have more than earned the cred to say, no, my little grasshoppers, no, if it is digital and it is new it might, actually, maybe, in many instances, be very bad for you.

“In other words, adopting a given digital technology does not necessarily equate with ‘onwards and upwards’; neither does rejecting a given digital technology necessarily equate with backwardness. I so often hear that ‘there is no choice.’ There is in fact a splendiferous array of choices, and each with a cascade of consequences. But we have to have our eyes, ears, and minds open enough to perceive these, and the courage to act accordingly.”

Of course, when it comes to using digital technologies, different people have different needs, different talents, goals, obligations, opportunities, and vulnerabilities. A responsible mother with young children will probably want to use Whatsapp with the babysitter; a real estate agent who wants to stay in business needs to be available to clients, whether by phone, email or text– and so on. Some people slip into the vortex of addiction to social media or gaming far more easily than others…

My aim here is not to judge other people (although I’ll admit to some eye-rolling at smombies slapping themselves into streetlamps), but to examine the nature of digital technology and my own use of it. I am not a mother with young children, nor a real estate agent. Games bore me, always have. I am a writer of books. I blog about digital technology because first, it’s my way of grokking it; and second, I trust that what I’ve learned may be of interest to my readers– for I know that many of you are also writers.

We writers are hardly alone in the need for uninterrupted chunks of time. Brain surgeons, composers, painters, historians, statisticians, sculptors, software engineers… many people, in a wide variety of professions and vocations need, to quote Cal Newport, “the ability to focus without distraction on a cognitively demanding task,” that is to say, engage in what he terms “deep work.

“DEEP WORK”

Writing a book is deep work. And literary travel writing is especially demanding deep work. From my 2009 post on the nature of the genre:

“Literary travel writing is about first perceiving in wider and sharper focus than normal; then, in the act of composition, shaping and exploring these perceptions so that, as with fiction, it may evoke in a reader’s mind emotions, thoughts, and pictures. It’s not meant to be practical, to serve up, say, the top ten deals on rental cars, or a low-down on the newest ‘hot spas.’ Literary travel writing, at its best, provides the reader the sense of actually traveling with the writer, so that she smells the tortillas heating on the comal, tastes the almond-laced hot chocolate, sees the lights in the distant houses brightening yellow in the twilight, and, after the put-put of a motorcycle, that sudden swirl of dust over the road.”

Writers have always battled distractions, but with the ubiquity of smartphones, and increasingly sophisticated app designs and algorithms to lure us and trap us into “the machine zone,” we’re at a new level of the game– or the war, as Steven Pressfield would have it.

Whatever might or might not be an optimal use of digital technology for you, I know this:

A book that can claim a thoughtful person’s time and attention is not going to be written by someone who is pinged by & poking at their smartphone all the live-long day.

“OUT IN THE WORLD”

Some writers have outright rejected smartphones– but so few, in fact, that only two come to mind: John Michael Greer, a prolific blogger and author whose stance on modern conveniences is, as he titled a collection of essays on his vision of the post-industrial future, Collapse Now and Avoid the Rush; and journalist Sebastian Junger. As Junger said on the Joe Rogan podcast:

“when I’m out, I want to be out in the world. If you’re looking at your phone, you’re not in the world… I just look around at this– and I’m an anthropologist, and I’m interested in human behavior– and I look at the behavior, like literally, the physical behavior of people with smartphones and… it looks anti-social and unhappy and anxious, and I don’t want to look like that, and I don’t want to feel like how I think those people feel.”

While I say a quadruple “AMEN” to Junger’s comment, I decided to keep my smartphone because I value having the emergency information-access and communication backups enough to pay for the smartphone for that alone; plus, I much prefer using the smartphone’s camera and dictation app to having to carry separate appliances, and I use these often in my work.

For me, the question was never whether or not a smartphone is useful. For me, obviously it is. The question is rather:

How can I maximize the benefits of this sleekly convenient multi-tool / communications device, while blocking its djinn-like demands, and so with sharpest powers of observation and consciously directed concentration, stay awake in this world?

I had answered this question by turning my smartphone into a distraction free smartphone, as I realized when I read Jake Knapp’s post.

Knapp’s version of “distraction free” turned out to be different than mine– he deleted his smartphone’s Mail and browser apps, which I kept. And when I Googled around a bit to find other writers who had tried to convert their smartphone to distraction free– and they were astonishingly few– I found that each had a different version of distraction free. Some recommended using grayscale, which I did not find helpful– but you might. Again, no surprise, what works for one writer may not work for another.

And that got me noodling… over the year-end holidays, instead of going to the movies, I stayed home and made my App Evaluation Flowchart for a Custom Distraction Free Smartphone, which you will find at the end of this post.

THIS WRITER’S DISTRACTION FREE SMARTPHONE (DFS or “defis”)

In early 2019, here’s where I stand, comfortable at last, with my smartphone. My defis, as it were. In order of importance, I use my smartphone as / for a:

Camera
(for stills and video)

Audioplayer
(various apps for audio books, podcasts, and music,
which I usually listen to when flying or driving,
never when walking or on public transport)

Emergency Mail

Recorder (dictation app for interviews)

Google translator

Emergency telephone

Emergency Google Maps

Emergency Safari

Calculator

Flashlight

In essence, I use my smartphone only when I decide it will serve me for a specific purpose, e.g., to take a photo, make a call, record an interview. Otherwise, it stays in the charging station at home or zipped into its felt bag in my backpack, wifi off, roaming off. I do not allow it to beep, rill, cheep, chirp, ding, ping or vibrate.

Other than the above-mentioned apps, I have deleted all apps (except the ones Apple will not allow me to delete; those I corralled into a folder I labeled “NOPE.” Do not ask me what they are, I do not remember.)

No social media apps, no Whatsapp, no news, no games.

All– all– notifications are off.

About the smartphone as a phone: I make a call from the smartphone maybe two or three times a month. I never check voicemail. Ever. I don’t know how to check voicemail and don’t tell me its easy because I don’t want to know how.

Text messages? Not my circus, not even my planet.
[UPDATE: See This Writers Distraction Free Smartphone: First Quarter Update, April 8, 2019]

If you leap to conclude that I’m living the life of a Luddite you’d be wrong. I do make and receive plenty of phone calls– except for emergencies, on a landline. I Skype. I spend hours galore on email– but at my desk, on a laptop. On the laptop I also manage my website and blog. I podcast, too, editing the audio with GarageBand (listen in anytime here). And I film and edit short videos for my YouTube and Vimeo channels.

When I first got an iPhone nearly a decade ago, oh, did I fiddle with apps, apps for this and apps for that and apps that would confect a fairy’s hat! I was becharmed by apps! Ingenious things, apps are.

I was on FB, too, until 2015.

But I am a writer of books, and this smartphone rabbit-hole-orama, it wasn’t working for me.

THE TWO MAIN PULLS

For me, the two main pulls to pick up the smartphone have been:

(1) to see any messages from people and/or about matters I care about;
(2) to have something convenient to read / look at when I’m away from my desk and feel bored.

Once I had this clear, I could formulate a more effective strategy than vaguely “finding a healthy balance” or blanging down the anvil of will power.

Over the past several years, trying to figure this out, backsliding, and trying again (and again) to figure this out, what I have found actually works is to remove or minimize temptations to even look at, never mind pick up, the smartphone when it is not in my fully conscious and decided interest to do so; and crucially, I have replaced those “pulls” to look at the smartphone with what are, for me, either superior or at least realistically acceptable alternatives.

B.J. FOGG

B.J. Fogg of Stanford University’s Behavior Design Lab has been an influence in my thinking about the smartphone. His basic equation for inducing a behavior is Motivation + Ability + Prompt (all three simultaneous), or B = MAP.

You can read more about Fogg’s behavior model here.

He’s all very sunny and even uses puppets when talking about his behavior model and how it can help people improve their lives, and I for one sincerely appreciate this. But I suspect that people with darker designs (oh I dunno, like those starry eyed newbies with VC in Silicon Valley who would launch a platform / app that, with maximum speed and efficiency, sucks the life-hours, money, and data out of you) also look to professor Fogg as a guru.

What I’m saying is, more likely than not, you are being very, very cannily manipulated by any one of a number of apps to pick up and remain focused on your smartphone despite what you know perfectly well are your better interests.

And understanding the way in is to understand the way out.

THIS WRITER’S STRATEGIES

I don’t pretend that my strategies will work for other writers. This section is not meant to be a series of recommendations but an example: what works for me, a working writer. (If you want to go direct to the App Evaluation Flowchart for a Custom Distraction Free Smartphone, just scroll on down to the bottom of this post.)

(1) Focus digital communications on email, and always at the desk, on the laptop

This is, to-the-moon-and-back, the most powerful strategy for me. (Read about my game-changing 10-point email protocol here.) I take email very seriously. However, with rare, emergency-level exceptions, I check email only on my laptop, only after 3 PM, and I batch it. I thereby establish the boundaries I need to be able to do my work, and I can truthfully say, “I welcome email,” and “the best way to reach me is by email.” And if not perfect, I am ever better about responding to email in a timely manner– since I have relatively fewer distractions!

Many people have told me that they would prefer to communicate with me on FB or Whatsapp, but… too bad! I am a writer who writes books, which means that I need to funnel communication into specific times, not allowing interruptions to leech my attention willynilly throughout the day. If someone cannot summon the empathy to appreciate that, well, like I said. (Anyway, I love you guys.)

This strategy allows me to keep the smartphone silent and in the closet (its charging station) or zipped in its bag inside my backpack. In B.J. Fogg’s terminology, I have hereby eliminated the motivation, the ability, and the prompts to pick up the smartphone. So I don’t.

(2) When out and about, if there’s a chance of having to wait a spell, carry a paperback

Recent Reading:
J.M. Synge’s The Aran Islands
Ye, verily, of the time before Instagram
and TripAdvisor
(A classic of travel writing
and the Irish Renaissance,
and a reading cure for “the shallows”)
weighing in at about the same as a potato

This is the second most powerful strategy for me, and simple and old-fashioned as it is, it took what seems to me now an embarrassingly long time to figure it out.

I’ve always been an avid reader of books and magazines, but when I got an iPhone, suddenly, in spare moments, such as waiting at the dentist, in line at the grocery store, waiting for a friend in a coffee shop, I found myself pecking at it. I was reading, but… it was, in fact, more often skimming, watching, and surfing.

As Nicholas Carr explains in The Shallows: What the Internet is Doing to Our Brains, reading a book and clicking & scrolling on a smartphone (from, say, website to website, to Twitter to FB to Whatsapp to YouTube to Instagram feeds x, then y, then z), do two very different things to one’s brain. The latter literally retrains your brain, resulting in what Carr calls “the shallows,” and once you’re in the shallows, tasks requiring sustained cognitive focus– such as writing a book– become ants-in-the-pants-nigh-impossible.

Don’t tell me I could use a Kindle app to read ebooks on my smartphone; I don’t and I won’t because, again, my goal is to remove as many siren calls to the smartphone as possible, relying on acceptable or superior alternatives. For me, a paperback provides a superior reading experience to an ebook; and if it’s not too heavy, I don’t mind tucking a real book in my bag.

But, by the way, I do read Kindles on occasion, using the Kindle app on my iPad, as a last resort only, when a paper copy is unavailable. I also use my iPad for reading news (which I inevitably regret), a select few favorite blogs, and for listening to audiobooks and podcasts in the kitchen. (If not in its charging station, or with me as I am doing something like say, folding laundry, my iPad remains parked on the kitchen counter.)

In B.J. Fogg’s terminology, with this strategy, I have reduced the motivation to pick up the smartphone. Also in his terminology, I build a tiny habit: when tempted to take out the smartphone to surf, take out the paperback. (You can watch Fogg’s TEDx talk on tiny habits here.)

(3) For a calendar, “to do” lists, and selected contacts, use a Filofax

This strategy is an old one for me, tried and true. As Getting Things Done guru David Allen says, “low-tech is oftentimes better because it is in your face.” The Filofax is a century-old British system designed for engineers that is so efficient it still has legions of devotees, among them myself, for over 30 years now. My lovely and ridiculously sturdy cherry-red leather Filofax normally stays next to my laptop on my desk; I can, but I rarely carry it with me.

As for contacts, I keep the addresses and telephone numbers I need at-hand in the Filofax and the rest in a separate system, but not on the smartphone because, again, I aim to focus my communications on email, and always on the laptop. (My smartphone does have emergency contacts.)

> Read my post about the Filofax for Kevin Kelly’s Cool Tools blog.

In B.J. Foggese: For my to dos and calendar, I have no motivation nor prompts to pick up the smartphone.

(4) For an alarm clock use an alarm clock (and for a watch use a watch)

Back in the days of my starry-eyed wonderfest with apps, I downloaded three different alarm clock apps. The cornucopia of “alarms,” from harps to waterfalls to drums to roosters yodeling, that was fun. But I deleted them all and instead use a little plastic alarm clock powered by two AA batteries. It weighs almost nothing, cost less than ten bucks, and works just fine– so I can keep the volume on the smartphone on mute. Don’t tell me I could adjust the volume on the alarm clock app because I don’t want to touch the smartphone if I don’t have to, and certainly not as the last thing at night and first thing in the morning. And I don’t want the smartphone parked anywhere near where I sleep.

Ceci n’est pas mon réveil. Photo: courtesy matiasromero MorgueFile

This strategy might sound silly. How is the alarm clock app different than say, the calculator or the flashlight or the camera or diction app? The answer is, by definition an alarm clock distracts, it prompts me to pick it up to turn it off– and that is precisely what I do not want my distraction free smartphone to do.

This is not trivial.

In B.J. Foggese: another motivation, ability, and prompt to pick up the smartphone eliminated.

(5) Use paper maps

You read that right. People laugh at me. I laugh back! Sometimes I use a store-bought map but more often, before I go out, I’ve Googled on my laptop and printed out or sketched the directions. I do make use of Google Maps on the laptop and on my smartphone in emergencies– this is one of the reasons for which I keep a smartphone. But by relying primarily on paper, rather than GPS via the smartphone in realtime, I have removed yet another reason to pick up and start poking at the smartphone.

An added benefit, crucial for me as a travel writer, is that my sense of space, direction, and the lay of any given landscape have remained sharper.

(If you love the planet and believe everything paper should be digital, I would invite you to Google a bit to learn about the energy realities of server farms and what precisely goes into smartphone batteries.)

(6) Always carry a pen and small a notebook

Another opportunity to not pick up the smartphone.

(7) Make it a habit to keep the smartphone zipped inside its bag

I don’t make a habit of holding my smartphone in my hand, carrying it in a back pocket, or setting it down on the desk or table next to me. Unless it’s an emergency, or I have an excellent, fully conscious reason to take it out and use it, the smartphone stays dead quiet and out of sight in its bag inside the bag.

In B.J. Foggese, I thereby reduce my motivation, ability, and prompts to touch it.

IN CONCLUSION

My smartphone is now simply (albeit miraculously!!) a lightweight selected multi-tool (camera / recorder / audio player / caculator / flashlight) and emergency information-access and communications device which I carry when I go out of the house, unless it is to walk the dogs. (I never take it when I walk the dogs because when I walk the dogs, I walk the dogs.)

My smartphone does have Mail, Safari, and Googlemaps buttons, but because I rely on my laptop for email and other Internet access, and paper for out-and-about navigation, I no longer feel that pesky tug to pick up and peck at the smartphone– but I do have these apps available to me should I need them. And sometimes I do need them.

Ditto the telephone.

Again, and of course, what works for me may not necessarily work for you. But may this new term, Distraction Free Smartphone, or as I would suggest, DFS, or defis, serve you in thinking through your own concerns and strategies for your own smartphone and your own writing.

DFS MODE

I’ll add one more term: “DFS mode.” A smartphone need not be distraction free almost all the time, as mine is. Let’s say one needs to be available on Whatsapp, voicemail, email or to use some other app for family or work that may ping, ring or ding-ding you at random intervals, and so be it; then, for the time alloted for writing (or other deep work), one’s smartphone could be put into DFS mode. As I hope I have made abundantly clear, this would not necessarily be the same as “airplane mode.”

P.S. Cal Newport’s Digital Minimalism: Choosing a Focused Life in a Noisy World will be out next month. From what I’ve read of his other books and blog, this promises to be a pathbreaking book. If nothing else, the term “digital minimalism” adds depth and nuance to our thinking about digital technology and our use of it.

[UPDATE: Check out Newport’s January 25th op-ed for the New York Times “Steve Jobs Never Wanted Us to Use Our iPhones Like This”]

[UPDATE: This Writers Distraction Free Smartphone: First Quarter Udate, April 8, 2019.]

App Evaluation Flowchart for your Own Customized Distraction Free Smartphone

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> Your comments are always welcome. Write to me here.

Q & A: Sara Mansfield Taber on Chance Particulars: A Writer’s Field Notebook

Email Ninjerie in the Theater of Space-Time

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Find out more about C.M. Mayo’s books, shorter works, podcasts, and more at www.cmmayo.com.


Top 10+ Books Read 2018

Another year of unusually intensive reading, mainly for my book in-progress on Far West Texas, hence this list is extra crunchy with geology, dinosaurs, Westerns, guns, and technology (yet somehow, like a pair of strawberry puddings amongst the platters of BBQ, Emma and The Prime of Miss Jean Brodie slipped in there…)

1. Tie:

The Ends of the World: Volcanic Apocalypses, Lethal Oceans, and Our Quest to Understand Earth’s Past Mass Extinctions
by Peter Brannen
Waaaaay before mushrooms… but psilocybin-esque. Science journalism at its tiptop best.

In the Shadow of the Machine: The Prehistory of the Computer and the Evolution of Consciousness
by Jeremy Naydler
The maintream mediasphere seems to be overlooking this book, and not surprisingly, for it has been published by a small press that specializes in esoteric subjects. If “esoteric” gives you the readerly “cooties,” well, chill, if you possibly can because Naydler’s In the Shadow of the Machine stands as major contribution to the history of both technology and consciousness. If you’re wading through any of the current best-sellers on the perils of too much screentime and AI and all that, fine and important as some of those works may be (more about Carr below), I would suggest that instead, for a more panoramic and penetrating view of the challenge, start with Naydler.

2. Tie:

Death Comes for the Archbishop
by Willa Cather
Historical fiction closely based on New Mexico and Church history but in all a soaringly lyrical work of empathic imagination. Deservedly one of the grand classics of 20th century American literature.

The Wonderful Country
by Tom Lea
> See my post “Notes on Tom Lea and His Epic Masterpiece of a Western.” The movie vs the novel? An uncooked cold hotdog as to a pile of Texas hot-from-the-BBQ brisket, and with a candied pumpkin for desert.

The Prime of Miss Jean Brodie
by Muriel Spark
Sad, funny, sublime.

Emma
by Jane Austen
Ye olde read-it-by-the-fireside-with-a-cup-of-tea romance. But it’s a more serious work of literary art than it might appear; as a writer of fiction myself I found much to admire in Austen’s Emma. On that note, dear writerly readers, you might find of interest this piece in the Guardian.

3. Tie– and ideally read in tandem:

West of the Revolution: An Uncommon History of 1776
by Claudio Saunt
This will rearrange and reupholster all the furniture in the room in your mind you might call “the United States of America and the whole Roman-Empire-analogy thing.”
> See my review for Literal.

Thundersticks: Firearms and the Violent Transformation of North America
by David J. Silverman
It’s about “agency,” but it’s not about agency. It’s complicatedly complicated. A major contribution to the history of technology, economic history, and the history of North America.

4.

Four Arguments For the Elimination of Television
by Jerry Mander
Uniquely mind-bending.

5.

The Rise and Fall of the Dinosaurs: The Untold Story of a Lost World
by Steve Brusatte
Dino-out! Finally, the whole millions-upon-millions-upon-millions of years of dinosaurs falls into parade-like Ordnung! More fascinating stuff about T-Rex & Co. than I ever thought I would find fascinating! Super nerdy in the friendliest, most readable, and authoritative way. If you read one book on dinos, let it be this one.

6. Tie:

The Alchemy of Air: A Jewish Genius, a Doomed Tycoon, and the Scientific Discovery that Fed the World But Fueled the Rise of Hitler
by Thomas Hager
Magnificent and disturbing.

The Railway Journey: The Industrialization of Time and Space in the Nineteenth Century
by Wolfgang Schivelbusch
Marvelous and mind-bending. My notes here.

7.

Ten Arguments For Deleting Your Social Media Accounts Right Now
by Jaron Lanier
If you know who Jaron Lanier is, you can understand why he, and probably only he can get away with such a title for a commercially published book, one that most people today, and that would include writers with books to promote, would consider hoot-out-loud humbug. But perhaps they would not if  [continue reading]

8. Tie:

Amusing Ourselves to Death: Public Discourse in the Age of Show Business
by Neil Postman

Technolopy: The Surrender of Culture to Technology
by Neil Postman

9.

Understanding Me: Lectures and Interviews
by Marshall McLuhan
> See my post, “Notes by Way of a List of Books, Videos, and more.

10. Tie:

The Future Does Not Compute: Transcending the Machines in Our Midst
by Steven L. Talbott
From my “notes” post March 5, 2018:

Dense yet elegantly lucid, Stephen L. Talbott’s The Future Does Not Compute: Transcending the Machines in Our Midst was published by O’Reilly Associates in 1995, on the eve of the explosion of email, well before that of social media. Astonishingly, it delineates the nature of our now King Kong-sized challenges with technology, when those challenges were, so it now seems, but embryonic. And Talbott writes with unusual authority, grounded in both philosophy and his many years of writing and editing for O’Reilly Media, a prime mover in the economic / cultural juggernaut of a complex, increasingly dispersed from its origin in California’s Santa Clara Valley, that has become known as “Silicon Valley.” CONTINUE READING

Devices of the Soul: Battling for Ourselves in the Age of Machines
by Stephen L. Talbott

11.

The Glass Cage: How Our Computers Are Changing Us
by Nicholas Carr

12.

The Shallows: What the Internet Is Doing to Our Brains
by Nicholas Carr


I’m not where I want to be with my writing here at the end of 2018 and Carr’s works detail many of the reasons why. But I’m moving forward by having deactivated my FB, reduced Twitter to once-a-month-ish courtesy tweet for my Q & A with another writer; generally ignoring LinkedIn, and still– still! thumb cemented in the dike!– refusing to use Whatsapp.

But please know, dear writerly reader, that even as I wend my way, I would not pretend to know what would be best for you. And this the Matterhorn of the challenge of our time: digital technologies that might be zest for one person can prove hazardous for another. One needs both the fortitude and courage to evaluate one’s own path– taking into account one’s own circumstances, talents, weaknesses, predilections, obligations, and goals– then strategize, and restrategize as needed.

My sense is that, primed by Carr’s and others’ works in this vein, our cultural paradigm will definitively shift this winter with the publication of Cal Newport’s Digital Minimalism. Never mind what Newport actually has to say (though as a big fan of his Deep Work, I expect it will be juicy); in simply coining the term “digital minimalism” Newport helps us move towards richer and more effective ways of thinking about how, given our personal and professional goals and well-being, we can optimize our use (or nonuse) of digital technologies.

As I write now in December 2018 the reigning paradigm is the same one we’ve had since forever: if it’s digital and new it must be better; those who resist are old fogeys. It’s a crude paradigm, a cultural fiction. And it has lasted so long time in part because those who resisted either were old fogeys and/or for the most part could not articulate their objections beyond a vaguely whiney, “I don’t like it.”

As an early adopter of digital technologies for decades now (wordprocessing in 1987, email in 1996, website in 1998, blog in 2006, podcast and Youtube channel 2009, bought a first generation iPad and first generation Kindle, self-pubbed Kindles in 2010, etc.), I have more than earned the cred to say, no, my little grasshoppers, no, if it is digital and it is new it might, actually, maybe, in many instances, be very bad for you.

In other words, adopting a given digital technology does not necessarily equate with “progress”; neither does not adopting a given digital technology necessarily equate with backwardness. I so often hear that “there is no choice.” There is in fact is a splendiferous array of choices, and each with a cascade of consequences. But we have to have our eyes, ears, and minds open enough to perceive them, and the courage to act accordingly.

I wish my wiser self could have time traveled to tell my younger self, Be more alert to the ways you invest your time and attention. Be aware that the digital can be, in some ways and sometimes, more ephemeral than paper (and not necessarily ecologically so friendly, either). Social media mavens are not reading the kinds of books you want to write anyway, for they lack the time and the attention span. Social media “friends” may be but are not necessarily your friends; and until you try to communicate with and encounter them outside these networked public spaces, e.g., in the real world, and via one-on-one private communication such as snail mail, telephone, and email, you’re in a hall of mirrors. With almost every app, every platform, some corporation is harvesting your attention and data for shareholder value– and all the while conjuring up new ways to grab even more. Life goes by, zip.

Top 12 Books Read 2017

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