Adios, Facebook! The Six Reasons Why I Deactivated My Account

I have been on Facebook since 2008, back when I was about to start the tour for my novel The Last Prince of the Mexican Empire. It was my amiga the crackerjack historical novelist Sandra Gulland who urged me to sign up. No question, Sandra was right, FB is a powerful way to get the word out about my bookspodcastslectures, workshops and book signings

The now deactivated Facebook page (If you find another C.M. Mayo on FB that would not be me)

Plus, FB has been an unexpected pleasure: I could keep up with family, both close and distant, and friends, new, old and previously long-lost. I smiled wide to see photos of a relative’s 80th, jokes and memes posted by cousins and neighbors, videos of the antics of one of my old book editor’s puppies, and so on. 

In that torrent of FB feed arrived many treasures too, such as artist Hope Swann’s daily door picture; gorgeous paintings by other artist friends including Mariló Carral, Kelley Vandiver and Edgar Soberon; a video—  I forget who “shared it”—  of a 90 year old yoga teacher; links to read about fascinating books; political news in Mexico and abroad which I might have missed otherwise; news of a dear friend’s book prize (yay, Leslie Pietrzyk!!); and oodles more. 

I am grateful to FB for providing this platform, and grateful to my FB friends (and friends of friends) who have helped make it such a richly interesting experience. (And muchas gracias, Mikel Miller, for recently forming the Mexico writers group on FB and so energetically championing my writing there—and including a chapter from my book on Baja California in your Kindle anthology, Mexico: Sunlight & Shadows.)

In sum, as many of you well know, there are excellent reasons to participate on FB. Nonetheless, after months of dithering, I deactivated my account

Here’s why:

1. I find it increasingly unsettling that a corporation not only mediates my interactions with my friends and family but also shapes them by its algorithms, then harvests and sells the data on those interactions to third parties. (Translation: it’s looking a mite too 1984.)

2. Not all, certainly, but much of the FB feed is trivia—(I love you, N., but I don’t need to see the sandwich you ate yesterday in Barcelona)— or upsetting (I agree with you, J., that animal abusers should be punished, but I’d rather not have been slammed with the photos). Some of the FB feed is assuredly not trivia— the passing of a beloved grandfather, the birth of a baby, a child’s graduation, the adventure of a lifetime— but because of FB’s algorithms, posts are broadcast to “friends” its bots deem relevant, and it can become so. I mean, if S. didn’t invite me to her birthday party, why did she imagine I would want to see a photo of her blowing out her birthday candles?

(I’ll admit, maybe I never “got” FB in this regard; I rarely posted anything from my personal life. In the real, meatspace world, social networks are intricately nuanced; FB, for all its “groups” and feed settings and ever-morphing privacy options, turns it into a one-size-fits-all spew. Adding nuance: I guess that’s what the algorithm engineers will be working on from the dawn of FB ’til Kingdom Come.)

3. FB is annoyingly addictive, albeit for some people more than others. For me, staying off FB like trying to diet with an open box of chocolates at arm’s reach.

UPDATE: And it’s addictive by design, of course. It’s all about hooking your brain into the machine zone. 

4. If I’m going to get this out the door before I’m 94, I need more time and mental energy to finish writing my book about Far West Texas.

> Yo! Checkout the latest podcast, my interview with rodeo barrel racer Lisa Fernandes!

5. As far as book promotion goes, FB isn’t the “wow” it first seemed (especially after, for reasons known only to itself, FB changed its algorithms). Furthermore, although many of my readers are on FB, many are not, or don’t follow me there. Yes, one can create author and book “fan pages,” but that is a form of “sharecropping”— after all, FB owns the digital platform— with all the attendant disadvantages for the sharecropper. (My current philosophy: “Likes” on FB are given so promiscuously, they don’t mean much, if anything. From my own platform, that is, my website, true fans of my work, legion or scant may they be, are always welcome to subscribe to my newsletter.) Moreover! As noted above, FB sucks up time and energy that I could apply elsewhere to better effect. (In case you were wondering, for book promotion, apart from writing the next book, that would include blogging, sending out that newsletter, freelancing for magazines, podcasting, an occasional postcard campaign, and… drumroll… answering ye olde email.)

UPDATE: Speaking of “sharecropping, yes indeed, this blog is sharecropping on Google’s platform. It has been on my to do list for an age to move the whole enchilada over to WordPress. Stay tuned.

UPDATE, January 2019: Dear writerly reader, you are now reading this blog on self-hosted WordPress. Viva!

6. Though I will miss the casual interactions of “liking” and “sharing” on FB, I prefer to meet friends, family and colleagues in person, that is, on our terms, not FB’s, and also to talk on the phone or by Skype, and… more drums… answer my email. 

Speaking of email: friends, family, students, readers: I am sincerely happy to hear from you! As always, you can write to me at cmmayo (at) cmmayo (dot) com. And now that I’m free of Facebook, I shall be able to answer you in a more thoughtful and timely manner.

And of course, I welcome your comments on this blog.

As ever, I blog on Mondays.

P.S. To deactivate a FB account, log in, then go to “settings,” then “security,” then click on “deactivate your account.” Oh, but FB doesn’t let you go that easily! The whole ooey-gooey-extra-velcroey process made me shake my head and laugh out loud several times. By the way, this is not the same action as deleting the account. I can imagine that I might need to log on again in order to contact someone whom I couldn’t contact otherwise, or possibly, for some other very good reason. But to participate as I did before? Definitely not.

UPDATE: Yet another reason to deactivate FB. 

FURTHER UPDATE: November 2017. Still massively relieved to have deactivated FB. In case you were wondering. But still have not yet moved this blog over to WordPress… It will happen.

YET ANOTHER UPDATE: 2018:  See novelist Nancy Peacock’s blog post, “Quitting Social Media.” 

YE VERILY ANOTHER UPDATE, JULY 2018: Jaron Lanier’s Ten Arguments for Deleting Your Social media Accounts Right Now.

JULY 2018: A nonprofit’s take on FB.

UPDATE, JANUARY 2019: Now the battle is against Whatsapp. I wonder what’s next?

This Writer’s Distraction Free Smartphone (Plus an App Evaluation Flowchart to Tailor-Make Your Own)

Q & A: Nancy Peacock, Author of The Life and Times of Persimmon Wilson,
on Writing in the Whirl of the Digital Revolution

From The Writer’s Carousel: Literary Travel Writing

Find out more about C.M. Mayo’s books, shorter works, podcasts, and more at www.cmmayo.com.


30 Deadly-Effective Ways to Free Up Bits, Drips & Gimungously Vast Swaths of Time for Writing: A Menu of Possibilities to Consider

Where do you find the time? (Was it hiding in the crawlspace?) It’s not so much finding time as it is prying your physical presence and attention away, either permanently or for a spell, from someone, something, someplace less valuable to you—if you really do want to write, that is, not just pretend and fantasize and gripe. Herewith, 30 ideas— some of which might make you shake your head, but some just might work for you. For me, most of these have always been no-brainers, but I confess, a number of them took me awhile to recognize and/or fully appreciate.

Possibility 1. Give up TV and social media. 
Just give them up, deep-freeze turkey & freakin’ forever and oceans of time, vast and sparkling, shall spread before ye.
> Adiós, Facebook! The Six Reasons Why I Deactivated My Account

Possibility 2. Cut the digital leash, the crackberry, whatever you want to call that soul-sucking hypnotic thumb-twiddler. That’s right, I am suggesting that you turn off all notifications and do not “text.”The price of this is that you must therefore continually combat tidal waves of exasperation from loved ones and others that you are not instantly and always available to them. Find the humor in this. Because really, how blazingly ridiculous.
> This Writer’s Distraction Free Smartphone (Plus an App Evaluation Flowchart to Tailor-Make Your Own)

Possibility 3. No drugs. 
Duh. And I include prescription drugs here, too. Exercise, eat lots of vegetables, drink raw juice, meditate… do whatever you possibly can to avoid adult onset diabetes and joint issues and so having to take drugs, for aside from suffering from lousy side effects, you’ll waste countless hours waiting for doctors to write prescriptions, then getting them filled at the pharmacy, dealing with insurance, and complications, and so on & so forth. Ah! But I am not a medical professional, so I have no idea what you should do.

Possibility 4. Reduce, better yet eliminate, or at least make use of your commute. 
If you can possibly live closer to where you need to be during the day, even if you have to sell half your furniture to fit into a smaller place, do that. Otherwise, try to get into the habit of writing while commuting. I hear some people have been able to do that. I admire them genuinely.

Possibility 5. No drama. 
Mantra: not my circus, not my monkeys. If you relish fighting / debating / gossiping because you find it entertaining, that’s your writing mojo leaking like water onto the asphalt. Incessant worrying about other people’s problems that are not yours to solve is also silly. You can be aware, you can be concerned, you can be compassionate, and when they are your problems, then they are your problems.

Possibility 6. No ruminating over the past. 
Regrets, nostalgia, whatever, writing gets done in the now.

Possibility 7. Less fantasizing about the future. 
Again, writing gets done in the now.

Possibility 8. Quit nursing grudges against editors / agents / other writers / reviewers / readers. 
Oh, the injustices of the literary world! These can vacuum up untold hours with yammering in workshops, at conferences, and over sad and grumbly cups of coffee. But listen here: the so-called gatekeepers and the clueless readers and half-literate kids glued to their handheld devices, they’re just doing the best they can, too. So are the peasants wading through their rice paddies in Burma. You are luckier than a lottery-winner to even be able to write at all. So strive to always improve and write for those who appreciate what you do, knowing that, of course, even if you one day win the Nobel Prize, only the teensiest portion of the population of Planet Earth will have heard of you, never mind actually read anything you wrote. Bottom line: If you can’t stay focused on doing your own best work, you’re not writing, you’re back to ruminating.

Possibility 9. Stop picking up the telephone. 
As Marie Antoinette might have put it, Let them send email. If you can, pay for an unlisted number and caller ID and change your telephone number at least every other year. If that little click to voice mail distracts you, why, just unplug it! And, pourquoi pas? Plunk it in the oven!

Possibility 10. Eliminate recreational shopping, aka “retail therapy.” 
Whew, this one adds up over a season, a year, two years. So never, ever shop in stores or on-line or in fact anywhere anytime without your list. If an item is not on your list, do not buy it. Shopping malls are time- and money-gobbling maws and believe it, the marketers, watching your every move on their cameras, are more sophisticated than you think you are. Not only does recreational shopping squander prime writing time, but it tends to fill up your house with clutter– a time-suck in itself. Go to a park, a museum, a library, the seashore, a basketball court, have fun and refresh yourself as necessary, but stay way away from the maw. I mean, mall.

Possibility 11. Do not accumulate a large and varied wardrobe based on navy, brown and/or beige. 
And better yet, give all that away to Goodwill. If you wear clothing that is black and/or coordinates with black, you’ll be able to make fewer shopping trips, pack faster, and do far less laundry and dry cleaning. And since black makes colors “pop,” your blue sweater, say, will appear brighter. Yet another advantage: black makes you look slimmer. (Ha, maybe I was a Jesuit in my last life.)

Possibility 12. Cancel the manicure. 
Horrendous time sink there. Plus, the polish is toxic and it flakes. (Nobody notices or cares about your fingernails anyway except manicurists, I guess, and those who get manicures themselves. Last I checked, they aren’t getting much writing done.)

Possibility 13. Quit following the stock market on a daily basis. 
This is a tick-like habit that achieves nothing but a heightened sense of anxiety. On par with spectator sports.

Possibility 14. Quit playing computer games. 
On par with drugs. Or any other addiction. Including following the stock market on a daily basis.

Possibility 15. Do not color your hair. 
Depending on how often you feel you must cover up the roots… for most people who color their hair this is about once a month. If you add highlights or lowlights (which, my dears, if you do color, you probably should lest you sport that “helmet look”), you’re talking about two hours-plus in the salon chair. You might be able to read something fluffy but you probably cannot write while someone is poking and pulling at and washing and blowdrying your hair. Go au naturel for as many as 30 hours a year, free and clear.

Possibility 16. Ignore spectator sports. 
Do not attend games, do not watch or listen to or otherwise follow games, do not discuss games, and whole weekends for writing will emerge from the sea of froth. 

Possibility 17. Do not indulge in expensive, time- and space-consuming activities such as, oh, say, collecting and expounding upon various types of fermented grape juice. 
Come on, folks, once it goes into a carafe, 99% of your guests won’t know the difference between one chablis and the next chardonnay. Pick a reasonable brand and stick with it, white and red. For me, it’s Monte Xanic— or else it goes into the pot for coq au vin.

Possibility 18. No more hauling laundry. 
You’ve got to get your clothes clean so, failing a maid to do it for you, get a washer / dryer for your house or apartment. If you do not have space, if it’s not allowed, or you cannot afford this, then consider a portable washer/dryer because hauling bags to the laundro-mat or down to the basement only to find the machines full, that is one woolly mammoth of a time suck. (If you’re paying for each load at a landro-mat, you might find it cheaper in the long run to use your own portable washer. I wouldn’t know, since I’m fortunate enough to have a washer/dryer, but a little bird told me…)

Possibility 19. Never hunt for your keys / wallet / purse / cell phone. 
This is an easy fix. The moment you step in the door, you always, always put them in the same place, a designated hook or a bowl or a basket. This might seem minor, but those two to ten minutes of running around with your hair on fire add up.

Possibility 20. Never hunt for Internet passwords (or wait for the “resend password” email). 
Keep track of passwords, some way, somehow. I use Grandma’s recipe box, which was deemed seriously uncool on the Cool Tools blog, but it works beautifully for me and, so they tell me after reading that infamous blog post, many of my friends. (So there.)

Possibility 21. No boat. 
Do not ever even shop for a boat. Do not even think about shopping for a boat. Unless you plan to sell your house and live in the boat. Ditto RV, camping equipment, or motorcycle. And anyway, you cannot live in your motorcycle. If you like to go out overnight into nature, check out Mike Clelland’s Ultralight Backpacking Tips. (Watch out, though, he features a link to his UFO page.)

Possibility 22. No second home. 
On par with the boat. No, worse.

Possibility 23. Stop buying loads of soft drinks and bottled water. 
Take into account the time it takes to shop for them, carry them to the car, lug them out of the car, store them somewhere in the pantry or the fridge, then recycle the bottles and cans… Drip, drip, drip goes your time (and money). A good water filter will pay for itself and quickly. (See also #3, above. Whoa, just read the list of contents on those soft drinks. Ick.)

Possibility 24. Prepare your meals with mis-en-place. 
Even when making a peanut butter-and-jelly sandwich, it sure does help to do mis-en-place. If you hate cooking, you probably never heard of the mis. Check it out. (If you want to keep it easy by microwaving everything or relying on take-out, see #3 above.)

Possibility 25. Take email seriously. 
In other words, stop letting it pile up and become a giant, throbbing source of lost opportunities, embarrassment and guilt. Email is vital for a writer— as vital as letter writing in days of yore, so do it well. This also means get quick-on-the-draw to delete spam.
> Email Ninjerie in the Theater of Space-Time

Possibility 26. Use a metaphorical “bucket” for all your to do lists and ideas. In other words, quit trying to keep everything from next week’s dentist appointment to the ideas for your novel in your head. I use David Allen’s Getting Things Done (GTD) system and thereby free up yottabytes of short term memory for more creative work. (One day I may set up a little altar in a corner of my office to St. Allen.) For me, a Filofax is an indispensable tool for implementing GTD.
> Why I Am a Mega-Fan of the Filofax.
> Listen to this podcast of November 6, 2013 about the GDT method for creative people. (I couldn’t find the direct link; you may need to scroll down for it once you land on that page.)

Possibility 27. Keep your closet decluttered and organized. 
Clutter not only makes it difficult to find things when you need them, it pulls and yanks and pinches your attention to decisions you haven’t made (like, whether to get rid of that old mustard-colored shirt, but which might maybe go with something, or sew back on the two missing buttons?) So you’re rushed and addled, right at the start of the day. It all adds up over a week, a month…

Possibility 28. Fie to piles. 
Piles are sinkholes of chaos and, to pile on another mongrel of a metaphor, they tend to sprout and ooze all over the place like fungi. (Yeah, did that need an editor.) Any time you need to do anything important, pay taxes, file a claim, send out a manuscript, if you have to paw and dig through piles to find what you need you will add possibly hours, possibly days, possibly weeks or even months to the process— not to mention a walloping dollop of time-sucking anxiety. So get a filing cabinet, even if it has to be a cardboard box, and make proper, labeled files, and dagnabbit, file things.

Possibility 29. Let go of things you won’t use but someone else might. 
This might sound strange as a source of time for writing, but think about it: any clutter, anywhere, becomes a drag on your time and attention. So all those old winter coats, faded towels, mismatched dishes, clothes than haven’t fit for 10 years, overflows of flower vases, toys… For heavenssakes, sell that stuff, gift it, and/or make regular runs to Goodwill or the like. (But remember, trying to sell it will take up your time.) As my favorite estate lady Julie Hall puts it, “the hearse doesn’t have a trailer hitch.”

Update— on Cool Tools 12/12/14:

“My top recommendation for the holidays is the Kindle of Marie Kondo’s The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing ($10). A one-time Shinto shrine maiden, Kondo bases her “KonMari” method on the assumption that one’s house and all the objects in it have consciousness but, boy howdy, even if you’re a die-hard materialist, follow her method and you’ll zoom to a wiggy new oxygen-rich level of tidy.” — C.M. Mayo

And last but far from least:

Possibility 30. Remember your pen and notebook. 
Always, except in, say, a swimming pool, keep these on your person; you never know when the muse may whisper. What I’m saying is, some of the most valuable writing time arrives in snatches— while you’re standing in the dog park, about to get out of the car, riding an elevator, etc. In other words, you might not have been planning to write, but write you do because write you can.

Conjecture: The Powerful, Upfront, Fair and Square Technique 
to Blend Fiction into Your Nonfiction

On Seeing as an Artist or, Five Techniques for a Journey to Einfühlung

The Book As Thoughtform, the Book As Object: 
A Book Rescued, a Book Attacked, and 
Katherine Dunn’s Beautiful Book White Dog Arrives

Find out more about C.M. Mayo’s books, shorter works, podcasts, and more at www.cmmayo.com.



One Dozen Dialogue Exercises

 One of the most powerfully vivid ways to show character, relationship, conflict and/or mood is through the use of dialogue. Herewith, one dozen five minute exercises. Use an egg-timer if you must. 

#1. Sprinkle in ze French
An American who was resident in Paris for many years gives a tour of the local art museum to some friends who are mighty impressed (but do they admit it?). Write the scene with dialogue. 

#2. Echoing in Dialogue
From Henry James’s novel The Portrait of a Lady, here’s an example of “echoing” in dialogue: 

“She has offered to take her— she’s dying to have Isabel go. But what I want her to do when she gets her there is give her all the advantages. I’m sure all we’ve got to do,” said Mrs. Ludlow, “is to give her a chance.” 
“A chance for what?” 
“A chance to develop.” 
“Oh Moses!” Edmund Ludlow exclaimed. “I hope she isn’t going to develop any more!” 

In this example, echoing works well to show the two characters’s easy going affection for one another. So, try writing a similar scene with echoing in the dialogue. If you need a prompt: a boss and his/ her ingratiating subordinate planning the new furniture arrangements for the office. 

#3. Larry & Saul Bake a Cake
Larry and Saul are elderly brothers. Larry is jealous of Saul. Saul thinks Larry is full of himself. They are in Larry’s kitchen making a cake. Write the scene with dialogue. 

#4. The Control Freak, the Liar & the Narcissist
Three characters, all members of the same family, sit down to dinner. Show by the things they say to one another that one is a control freak, one a liar, and one a narcissist. 

#5. Good Cat, Bad Cat
In a pet store: he wants a cat; she does not. Write 5 lines he could say; then, write 5 lines she could say. Briefly describe the cat in question. If you have time, write the scene. 

#6. So Terrible. So Awful.
I was in the women’s locker room in a health club when I happened to overhear this scrap of dialogue: 

A: “Therapists, what they charge—” 
B: “Horrible, that’s why I quit.” 
A: “So terrible.” 
B: “So awful.” 

I love the shape of this, the way the women echo the sounds and rhythms of each other’s words. Notice the rhyme of “horrible” and then “terrible”; the repetition of “So” (“So terrible; “So awful.”) 

Another interesting aspect is B’s interruption of A. 

Here’s the exercise: take this dialogue; add some names, descriptions, gestures, etc., and flesh out the scene. You might change “therapists” to “dentists” or, say, “contractors” or “piano teachers”—what have you. 

#7. Three Jackets, Three Men & a Joke
Describe three jackets. Describe the three men who are wearing them. One man tells a joke. How do the other two react? 

#8. When in Rome
Do as the Romans do: speak Italian. Have your characters, who are arguing about something (whatever you like) use some or all of the following words and phrases: 

Dove? (Where?) Buona notte (Good night) Ha un gelato? (Have you any ice-cream?) una crema de barba (shaving cream) E compreso il servizio? (Is service included?) E sulla strada sbagliata (You’re on the wrong road) 

#9. Class Envy
Your character hates rich people. Give him 3-4 lines of really nasty dialogue. Then, in two sentences or less, identify the specific source of his feelings. 

#10. ##&%#@*!!!
One of the fun things about writing fiction is that you can assume the voice of characters who would do and say all sorts of naughty, slobby things. Here’s the exercise: two characters (give them names and a little description) are sitting on a back porch drinking beer. They are arguing over which is the better sports team, and a good portion of their vocabulary consists of swear words. Write the scene with dialogue. 

#11. Wedding Dress Dialogue
Mother and daughter are in a changing room, before a floor-length mirror, arguing over one more wedding dress. The mother is thrilled about this wedding; the daughter is tempted to call the wedding off— but show don’t tell. That is, do not have the characters state their feelings, but show them through tone, gesture and indirect comments. Write the scene with dialogue. 

#12. Sorry
Cindy, a highly educated, experienced, and competent professional, peppers her conversations with, “I’m sorry” (and then she wonders why she’s not been promoted). Sketch a few scenes for Cindy with dialogue. 

Using Rhythm and Sound to
Add Energy and Meaning to Your Prose

Consider the Typewriter 
(Am I Kidding? No, I Am Not Kidding)

On the Trail of the Rock Art of the Lower Pecos


My new book is Meteor

Find out more about
C.M. Mayo’s books, articles, podcasts, and more.

10 Tips for Getting the Most Out of Your Writing Workshop (What I Wish I Had Learned Sooner and What I Wish My Students Would Do)

Gentle Reader: I don’t know about you! Maybe you would be a better creative writer if you were to fling crumpled PostIts at the other students, set small fires in the parking lot or, say, stay home and do some inverted yoga poses. More seriously, much can be said for reading on craft (and I offer a frequently updated list of recommended titles here.) But I can say that in my own case, participating in writing workshops was foundational for my development as a creative writer; moreover, to the best of my knowledge this has been case for every one of my contemporaries whose work I admire and would recommend.

(1) Read your teacher’s work. (Analogy: would you let a carpenter whose work you’ve never seen remodel your kitchen?)

And if, having read your teacher’s work you are unimpressed and/or turned off by it, do yourself and everyone else in the workshop a favor and do not sign up for the workshop. Please.

(2) Ask him or her to autograph it. (An autographed first edition hardcover can be surprisingly valuable! And: flattery never hurts! Don’t be shy about asking for an autograph; authors love this, they really do.)

(3) Expect to learn. (Analogy: do carpenters learn their craft wholly on their own? Maybe what you’ll learn is that this is a writing teacher to avoid. Certainly, this is much cheaper experience than having a bad carpenter mess with your kitchen.)

(4) Realize that most people who come to a writing workshop have naive notions about the writing world (think money, celebrity, booze-crazed Bohemia), no clue from Adam how hard it is to write anything worth reading, how tough it is get published, and how consternating an experience it can be to be published (criminey, all these people taking your workshops who never even read your book!!). Realize, you are way ahead of the game by following steps 1-3, and that, therefore, though you might learn a lot about the craft, you do not need validation from this workshop, its leader and/or its participants, which is what you were secretly hoping for, no?

(5) Expect to give thoughtful critiques to others who (though their manuscripts are surprisingly bad, not to mention boring and often tasteless), are, strangely, resistant and argumentative. Expect also to receive rude and deeply stupid comments on your manuscript and know that this, actually, is a good thing because learning to take criticism with open-minded equanimity is part of learning to be a well-published and productive writer— unless, that is, you want to be a writer who cringes at every review, every blog mention, every amazon.com shark attack out of Nowheresville, and is, therefore, both miserable and miserable to be around. (You can win the Nobel Prize and someone, somewhere, will say something unkind about your writing. So, Buck up.)

(6) Nonetheless, take very seriously your critiquing of other participants’s manuscripts, for good karma and all that, but also because the fastest way to learn to recognize problems in your own manuscripts is by identifying the same in others’s manuscripts. I think it was Ann Lamott who said (more or less), “we point, but do not cut, with the sword of truth.” Read the pages carefully, and offer honest, thoughtful, and detailed critiques in a spirit of kindness. (Wouldn’t you want the same?)

(7) Remember the bicycle analogy. Like riding a bicycle, to take criticism productively, a writer needs to be able to balance between meekness (listening to everyone) and arrogance (listening to no one). Too much of either, your writing falls flat. (Too much of either and your whole life falls flat, now that I think about it.)

(8) Do the assigned reading. To learn the craft, workshops are not enough (see again Tip #4). If you do the assigned reading while in a workshop, rather than later (or never) you have the inestimable advantage of being able to ask questions and discuss it with the workshop leader and other participants.

If, half way through the workshop, you decide that the assigned reading and/or discussion are bunk, oh well! Sunk costs are sunk! Surely you have better things to do and places to be.

(9) Remember, what goes around comes around. If you come to the workshop with an attitude of respect and goodwill, you will attract the same. (Any exceptions you will, one day, consider hilarious. You can also put them in your novel, ha ha.)

That said, some people do not deserve respect or good will. If there are too many of them in a workshop, and/ or if the workshop leader is a disempowering nincompoop, I say, vamoose! As if the building is on fire!

(10) Before, during, and after the workshop, keep writing. In other words, don’t let the workshop deadlines become a crutch. Don’t give your power as an artist to anyone else; find your own motivation, develop your own habits. Play God. God riding a bicycle. Assuming that’s what you want to explore in this life.

>> Find more “Madam Mayo” blog posts for the workshop here; and many more resources at my homepage’s Workshop Page here.

C.M. Mayo’s Writing Workshop Page

Meteor, Influences, Ambiance

Deadly-Effective Ways to Free Up Bits, Drips & Gimungously Vast Swaths of Time for Writing: A Menu of Possibilities to Consider

Find out more about C.M. Mayo’s books, shorter works, podcasts, and more at www.cmmayo.com.